Edward Hopper at Oxford and T S Eliot at Turner Contemporary

Several European museum shows in 2018 contain examples or are devoted to American 20th century artists and modernism like the ones curated for the Ashmolean Museum at Oxford, the Royal Academy, Tate Modern and British Museum.

Massachusetts loans boast the Edward Hopper painting Manhattan Bridge Loop from the Addison Gallery of Art collection, Phillips Academy, Andover, selected for America’s Cool Modernism at Oxford. Three Hopper etchings (The Cat Boat, Night Shadows, and The Railroad) are on the checklist. Hopper depicted Gloucester in over 110 works of art. Besides Hopper, notable artists and writer with various Gloucester connections selected are: Stuart Davis, Marsden Hartley, e e cummings, and Louis Lozowick.

Edward Hopper Manhattan Bridge Loop Addison Gallery of American Art Phillips Academy Andover MA.jpg

 

Forgot the cry of gulls and the deep sea swell

 

 

Upcoming at Turner Contemporary – “Journeys with ‘The Waste Land’   a major exhibition (Sat 3 Feb – Mon 7 May 2018) considering Eliot’s watershed poem through visal arts, and Margate. I hope they turn to Gloucester and Cape Ann, unspoken in the final poem yet approachable (and specified in excised iterations). From the museum’s press release:

“Presenting artworks from the 19th century to the present, including film, photography and artefacts, the exhibition explores how contemporary and historical art can enable us to reflect on the T. S. Eliot poem, The Waste Land, and its shifting flow of diverse voices, references, characters and places.

Kitaj, If Not, Not SMALL.jpg

If Not, Not (1975-6), R.B. Kitaj, National Galleries of Scotland

In 1921, T.S. Eliot spent a few weeks in Margate at a crucial moment in his career. He arrived in a fragile state, physically and mentally, and worked on The Waste Land. The poem was published the following year, and proved to be a pivotal and influential modernist work.  Building on Turner Contemporary’s extensive experience in participation and engagement, the exhibition is being co-curated with a research group of 30 volunteers from the community, supported by the programme team at Turner Contemporary and external curator Professor Mike Tooby. Journeys with ‘The Waste Land’ is being funded by the Paul Mellon Centre for Studies in British Art and the John Ellerman Foundation.”

The New Yorker Magazine- Louis Menand checks out Gloucester TS Eliot House

 

Not surprisingly, the Eliot House writers’ retreat is getting some major ink. Pulitzer Prize winning author, Louis Menand, writes about his visit this past spring, fleshing out some context and the mission of the T.S. Eliot Foundation. I’d tweak the title “one paradox”. Menand has written about Eliot before: his first published book was Discovering Modernism: T. S. Eliot and His Context, 1987.

“…Eliot’s father, Henry, who ran a company that manufactured bricks, took the family to Massachusetts every summer, and in 1896, the year Eliot turned eight, Henry built a big house on Cape Ann, in Gloucester, overlooking the outer harbor. Until Eliot went off to Europe, in 1914, he spent his summers there…”

The New Yorker Louis Menand T S Eliot House

HarborWalk T S Eliot marker