TRANSCENDENT GLOUCESTER BY CAPE ANN’S PREEMINENT PAINTER JEFF WEAVER

Jeff Weaver – Transcending the Familiar

Reception Wednesday, November 13, 5-7 pm

Over 20 of Jeff’s paintings will be exhibited
at the Walter J. Manninen Center for the Arts, at Endicott College

The show begins November 5, 2019, and runs through March 2, 2020.

Walter J. Manninen Center for the Arts
Heftler Visiting Artist Gallery

Endicott College
376 Hale Street
Beverly, MA .

For more information please call: (978) 590-2979.

Gloucester Blue: fifty small painted drawings & selection of art furniture by Paul Neily | opening reception August 3 Jane Deering Gallery

August 3 – 30, 2019

x paul 2.jpg

Fifty small painted drawings bathed in the spectral light of blue, evoking a state of memory and flashback, impression and recall. What the mind stores, the dream rouses. Paul Neily’s charmed drawings document his memory of the streets and lanes, houses and rooftops of Gloucester, a city that is changing. There’s a sense of nostalgia to Neily’s recollections but no sentimentality. Neily’s reminiscence echos his reflection of a city real and beloved. Also on view will be a selection of Paul Neily’s unique furniture pieces. His platinum furniture pieces were influenced by the work of Carl Jung.

Paul Neily — painter, poet, composer, designer — is a self-taught inventor. His paintings and furniture pieces have been shown in New England. Neily’s work is held in numerous private collections. He lives and maintains a workshop in Essex, Massachusetts on Cape Ann.

xPaul Neily at Jane Deering Gallery

The exhibition continues through Saturday, August 31, 2019
Gallery hours: Friday, Saturday & Sunday 1:00 – 5:00pm and by appointment
Please contact Paul Neily @ 978-491-1416 . paunei2004@yahoo.com

 

Cape Ann Museum July 25 |special lecture and new biography about American artist Nell Blaine by author Cathy Curtis!

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Alive Still: Nell Blaine, American Painter | A Talk with Author Cathy Curtis

The Cape Ann Museum, is pleased to present an illustrated talk by author Cathy Curtis about beloved Cape Ann artist Nell Blaine on Thursday, July 25 at 7:00 p.m. This program is free for Museum members or $10 nonmembers. Reservations are required. For more information visit capeannmuseum.org or call 978-283-0455 x10.

Alive Still: Nell Blaine, America Painter (Oxford University Press, 2019) is the biography of an artist who believed she was at the top of her game in 1959, when she traveled to Greece to paint. She had a great time . . . until she contracted the most severe form of polio and had to be airlifted to New York. A paraplegic at age thirty-seven, she was determined to regain her skills. Her coloristically brilliant, rhythmically vibrant style illuminated landscapes and still lifes that reflect her passion for the natural world. During the next three decades she would become a notable painter and one of America’s great watercolorists. In 1974, she purchased a cottage on Ledge Road, where she and her partner, painter Carolyn Harris, made the most of the splendid views available on Cape Ann.

Cathy Curtis is the author of two previous biographies of women artists, RESTLESS AMBITION: GRACE HARTIGAN, PAINTER (Oxford University Press, 2015) and A GENEROUS VISION: THE CREATIVE LIFE OF ELAINE DE KOONING (Oxford University Press, 2017). She earned a master’s degree in the history of art from the University of California, Berkeley, and wrote art criticism for many years. In 2018, she was elected to a two-year term as president of Biographers International Organization in 2018. Her website is www.cathycurtis.net

Cathy Curtis-CroppedB&W_7630.jpeg
Cathy Curtis

About the Cape Ann Museum Continue reading “Cape Ann Museum July 25 |special lecture and new biography about American artist Nell Blaine by author Cathy Curtis!”

Artist Loren Doucette in the news: Operations Manager at Rocky Neck Art Colony & Peabody Essex Museum special program

Peabody Essex Museum features Loren Doucette teaching pastel drawing in the garden for the museum summer 2019 July 31 and August 7th

 

Loren Doucette at Peabody Essex Museum teaching_20190614_© c ryan.jpg

 

LOREN DOUCETTE IS NEW OPERATIONS MANAGER AT ROCKY NECK

Loren.jpg

Announcement from Rocky Neck

Dear Rocky Neck Community,

The Board of Trustees is very excited to announce that art colony artist member, Loren Doucette, joined the organization as RNAC Operations Manager. In this newly formed position, Loren will co-ordinate and implement the various programs of the Art Colony, schedule and supervise the Cultural Center space, provide administrative support, and communicate with both members and the public.

Loren brings positivity, warmth and a fresh new energy to the Art Colony. She is passionate about being a creative catalyst and looks forward to promoting the artists and galleries of the Rocky Neck Art Colony, collaborating with local arts and business organizations, and helping to generate a new youthful vibrancy to the art colony.

A life-long artist who focuses on painting, drawing and collage, Loren has been an exhibiting artist and teacher on Cape Ann since 2000 and a member of the Rocky Neck Art Colony for over ten years. During this time she became widely known for her appealing style and was featured in several popular shows including those at Flatrocks Gallery and Gallery 53 in Gloucester and the Tusinski Gallery in Rockport. She was recently awarded the People’s Choice Award from the show Rocky Neck Now 2019, Looking All Around.

With a BFA in Drawing and Painting from Montserrat College of Art in Beverly, Loren was recently Interim Director of Continuing Education at Montserrat where she also taught classes in pastel, drawing and painting.

She loves living by the ocean and being a part of the Cape Ann art community. In Loren’s words: “I continually fall in love with this amazing place—the people, the culture, the diversity, the natural beauty—all truly magical. I feel honored to have this position of leadership at the Rocky Neck Cultural Center and look forward to helping bring together many talented and inspired people to exhibit, perform, and tell their stories. In addition to honoring the rich artistic history that Rocky Neck holds, I am excited to be part of the next wave of artistic innovation!”

Loren may be reached during her office hours on Thursday and Friday by email: rnac.operationsmanager@gmail.com and by phone at the Cultural Center: 978-515-7004.

Scenes from Jason Burroughs ebullient closing talk, Goetemann Artist Residency, Rocky Neck #GloucesterMA

“I’m happy out there, being in nature, spending time looking, painting and having fun.”

Jason Burroughs completed a rewarding month long Goetemann Artist Residency on Rocky Neck and is so appreciative of this generous honor. He enjoyed adjusting to painting with oil, outside, and the challenge of working so quickly to “get all the notes down” chasing light, tide and wind conditions before a moment he was after changed. “Building up marks, being able to paint fast, to do it in that time is an honorable achievement. And a challenge. I’m learning something with each one.” Burroughs went out as much as he could. He admires the speed and mechanics mastery of plein air greats he’s researched, and artists working now that he’s getting to know and pepper with questions or simply paint alongside. He’s riveted when Jeff Weaver talks about the history of a building or scene. During this residency he was grateful to have had the chance to join Stephen LaPierre and Caleb Stone for a couple of plein air outings. He loves having a base in Rocky Neck, the architecture of Gloucester’s waterfront, pilings, boats, masts, popular  scenes & motifs, repetitive forms, and the energy and vibe of being around other artists. He relished solo time in the field, even the time he got a sunburn working on one of the larger paintings: “I was standing out there 7 hours throwing paint down. I got to pick my site, overlooking the waterfront, in nature. (I saw bunnies and bluejays. So peaceful. It was great!) You go through so much white. So much. And trial and error. I’m just hoping to find ways of painting that will bring some of the truth of what I’m seeing.  I need to know if something is wrong and why. Some I leave rugged. Putting in the work is so important.”

photos: Snapshots of Jason Burroughs readying a couple of days before his Goetemann Artist Residency closing talk, and from his presentation and Q&A, standing room only, well received and topped off by several painting sales. His good friend, David Brooks, filmed and beamed throughout. 

SOLD red dots underway

 

A couple of days before the closing talk

 

Kids and family program featuring Barbara McLaughlin TOHP Burnham Library Essex May 31 4pm

 

 

For all those interested in the progress of the Cape Ann Reads Children’s Book Contest story The Best Way Home, written and illustrated by Barbara McLaughlin, McLaughlin will be at the Burnham Library in Essex for a reading with an art demonstration and activities for young artists. 

Friday, May 31 from 4 – 5 PM, art materials will be provided 

Bring children and grandchildren ages 5 and up so they can share their budding talent!

Very best regards,

Barbara McLaughlin

Jason Burroughs closing talk Thursday May 30th 5pm Goetemann Artist Residency #GloucesterMA

artist JASON BURROUGHS_invited Goetemann Artist Residency May 2019_Rocky Neck Art Colony_work within the last year on one wall_new work in front_Gloucester MA_20190527_© c ryan (9).jpg

Throughout this Goetemann Artist Residency, Jason Burroughs carved out painting times while working at his full time job which goes with the territory of being an emerging fine artist. So what was different with this special honor on Rocky Neck? To begin with, he timed a full week off from work to coincide with the Residency, to devote his time exclusively to art. Burroughs doesn’t have an artist studio so it has been a luxury to have ample room and walls to surround himself with new works in process and recent series near by, and to spread out books and materials. He set himself a tall task of completing at least 15 new plein air works, all oils rendered in the field. He had new tubes of paint to work with thanks to a recognition award from the Cape Ann Plein Air quick draw. Paint is expensive and Gruppe’s quip about paint like you are a millionaire went through his mind as he struggled to capture what he saw and sought to express. A few times he painted side by side more seasoned artists that have become friends and mentors, which he enjoys. Mostly he adjusted to painting with oil, outside on the waterfront, throwing paint down and “putting in the work spending time looking, truly looking.” Burroughs wishes he had his own studio right here on Rocky Neck. The Goetemann Artist Residency was a dream come true this month. Come hear about all he’s done.

 

Burroughs is looking forward to the next Goetemann talk with Marilu Swett ; Swett was professor for his senior sculpture work at Montserrat College of Art.

goetemann talks 2019.jpg

 

Artist Jason Burroughs has been busy! Reminder please come see his closing talk Thursday May 30th 5pm | Goetemann Artist Residency #GloucesterMA

artist JASON BURROUGHS_invited Goetemann Artist Residency May 2019_Rocky Neck Art Colony_work within the last year on one wall_new work in front_Gloucester MA_20190527_© c ryan (9).jpg

Throughout this Goetemann Artist Residency, Jason Burroughs carved out painting times while working at his full time job which goes with the territory of being an emerging fine artist. So what was different with this special honor on Rocky Neck? To begin with, he timed a full week off from work to coincide with the Residency, to devote his time exclusively to art. Burroughs doesn’t have an artist studio so it has been a luxury to have ample room and walls to surround himself with new works in process and recent series near by, and to spread out books and materials. He set himself a tall task of completing at least 15 new plein air works, all oils rendered in the field. He had new tubes of paint to work with thanks to a recognition award from the Cape Ann Plein Air quick draw. Paint is expensive and Gruppe’s quip about paint like you are a millionaire went through his mind as he struggled to capture what he saw and sought to express. A few times he painted side by side more seasoned artists that have become friends and mentors, which he enjoys. Mostly he adjusted to painting with oil, outside on the waterfront, throwing paint down and “putting in the work spending time looking, truly looking.” Burroughs wishes he had his own studio right here on Rocky Neck. The Goetemann Artist Residency was a dream come true this month.

photos: sneak peek details from new work

 

Burroughs is looking forward to the next Goetemann talk with Marilu Swett ; Swett was professor for his senior sculpture work at Montserrat College of Art.

goetemann talks 2019.jpg

 

Today’s paper: artist Leslie Galacar featured at Historical Museum

Once Upon a Contest is on view through April 26 at the Manchester Historical Museum for the Manchester Public Library leg of this travel exhibit.  Leslie Galacar created a site specific 4 part piece that will be displayed for the length of the Manchester run.

Read Gloucester Daily Times “Manchester illustrator featured at Historical Museum” here 

Leslie Galacar temporary works featured in GDT_20190420_Cape Ann Reads at Manchester Historical Museum

one of four Once Upon a Contest temporary public art works_copyright aritst Leslie Galacar Manchester MA.jpg

Motif Monday: Fitz Henry Lane house #GloucesterMA

The stone jug was the historic studio and home of the artist Fitz Henry Lane (1804-1865) located on Harbor Loop in downtown Gloucester, Massachusetts. The city owns the building. Schooner Adventure, one of the city’s national historic landmarks, and fabulous Sail GHS work from here. Both are willing to share limited space with a cultural residency. I hope one day the Lane house may be recreated as an historic artist home and studio celebrating the artist and Gloucester and as such serve as a mini welcome center. Part of the maintenance and operating costs and helping the two organizations on site might be off set by integrating the Lane use back in some capacity. The Winslow Homer property in Portland has done well and is open for guided tours on specific days and times. It does not have staff on site.

Fitz Henry Lane home March 7, 2019 snow

 

 

Pia Juhl solo art exhibition at Jane Deering Gallery

Rocks Around the Cape — new paintings by Cape Ann artist Pia Juhl — continues through March at Jane Deering Gallery, 19 Pleasant Street in Gloucester. An opening reception will be held Saturday March 9th from 4-6pm.  A brilliant colorist, Juhl interprets the glacial boulders, marsh land, and the vast interaction of sky and sea along the Cape Ann coast.  Gallery hours: Friday/Saturday/Sunday 12noon-5:00pm or by appointment by calling 978-257-6608 or piajuhl@comcast.net.

PJuhl . Cape Ann 2018 . Acrylic on Canvas . 24x24 inches _LJN8965.JPG

Pia Juhl writes: ‘I love to paint landscapes of Cape Ann and presently am concentrating on large-scale subjects.’ Glacial boulders, the marsh land, monolithic stones, the vast interaction of sky and sea — all of this has captured Juhl’s eye.  A brilliant colorist, the artist breaks down a scene into its essential palette and shapes, using the brush to ‘feel’ the painting’s form.

 

Pia Juhl was born in Denmark and after meeting her American husband there, moved to Boston.  Early on, Edward Hopper was a great influence.  Today, her painting is more intuitive and influenced by Milton Avery, Wolf Kahn and Catalan artist Jaume Muxart. Her work has been exhibited widely on Cape Ann at Flatrocks Gallery, Cove Gallery, Annisquam Exchange Art Gallery and Art in the Barn.  She has also shown at Faneuil Hall in Boston and in Harvard MA.  This is the artist’s second show at Jane Deering Gallery.

 

 

Jane Deering Gallery supports regional artists by offering work and exhibition space. Contact the gallery for details. info@janedeeringgallery.com

#GloucesterMA Public Art – last chance to Instagram temporary mural at Cape Ann Museum

 

portrait of Bonnie L Sylvester_ inspecting her public mural in process_Cape Ann Museum_ _20181214_© catherine ryan.jpg

Once Upon a Contest – Selections from Cape Ann Reads travel exhibition closes at Cape Ann Museum February 24, 2019. The radiant show has stopped people in their tracks to sit and read awhile. The show celebrates children’s picture books by local authors and artists. A temporary mural by Bonnie L. Sylvester has generated photos and selfies and will be painted over after the show closes.

below: installation and in progress views, Bonnie L. Sylvester painting temporary mural for Once Upon a Contest at Cape Ann Museum Gloucester Ma. 

“As part of the original creative design and concept for the Once Upon a Contest travel exhibition, artist Bonnie L. Sylvester was invited to create a public mural in three parts. After two years steeped in preparing final illustrations for the Cape Ann Reads Medal Book, The Tree in Dock Square written by Jean Woodbury and illustrated by Sylvester, the two week process for this Cape Ann tableau involved sketching key elements and applying layers of custom mixed paint for a walk in installation effect. This temporary wall mural is a first for the artist and the Cape Ann Museum.” 

Bonnie L Sylvester painting temporary mural installatin at Cape Ann Museum for Once Upon A Contest exhibition © Catherine Ryan.gif

Portrait of Bonnie L Sylvester painting temporary mural at Cape Ann Museum Gloucester MA_20181213_© Catherine Ryan.jpg

TODAY – Reminder Cape Ann Museum Crane beach talk 3pm

courtesy photo for cape ann museum_0448 © t. barrieau the trustees

photo credit: T. Barrieau/The Trustees

Courtney Richardson at the Cape Ann Museum shares information about an upcoming special event at the museum:

Lecture – Life on the Edge: The Ecology of Crane Beach, Saturday Jan. 19th, 3PM

The Cape Ann Museum, in collaboration with The Trustees, is pleased to present a lecture about the natural history and ecological significance of Crane Beach with ecologist Jeff Denoncour. This program is offered in conjunction with the special exhibition Sky/Horizon/Light: Perspectives on Crane Beach. This program is free for Museum members, Trustees members, Cape Ann residents or with Museum admission. Reservations required. For more information visit capeannmuseum.org or call 978-283-0455 x10. 

When one thinks of Crane Beach, the sea, sun, and sand might be the first things that come to mind. But how did the forces of nature create the stunning landscape? What’s special about this incredible barrier beach and marshlands it protects? How do The Trustees protect special places and care for our vulnerable coast? Join Jeff Denoncour, an ecologist with The Trustees, for a dive into the natural history and ecological significance of Crane Beach, how they protect our coastal resources, and examples of success stories resulting from their work.

Jeff Denoncour is the Eastern Region Ecologist with The Trustees where he manages and monitors ecological resources on its properties in Eastern Massachusetts. Jeff grew up on Cape Ann and has spent most of his life living along the coast. He has 11 years of experience managing rare and endangered shorebirds that nest on beaches. For the past eight years, he has been managing the Shorebird Protection Program on Crane Beach, as well as other natural resources that make the Crane Beach such a treasured place.

This program is offered in conjunction with Sky/Horizon/Light: Perspectives on Crane Beach a special exhibition of the paintings of Dorothy “Doffie” Arnold.  The works on view at the Cape Ann Museum offer an ever changing vista of Crane Beach as observed across Ipswich Bay from Arnold’s studio in Bay View (Gloucester). Painted in the 1980s, these acrylics on paper are part of larger series of works by Arnold that take as their subject the intersection of water, land and light viewed from a single vantage point over a period of years. With a low horizon line, a sky that is often turbulent and waters that range from placid to racing, the paintings reflect the strong influence of nature on the artist and her work.

A 1980 graduate of the School of the Museum of Fine Arts, Boston, Dorothy Arnold maintained studios in Cambridge and Gloucester. While much of her work is large scale, the Crane Beach paintings measure just 11×15 inches. Her work, which includes landscapes, still lives, figure studies and abstractions, was the subject of an international retrospective in 2001–2003. It was Arnold’s wish to exhibit her art locally in an effort to strengthen the community’s appreciation of the culture and traditions of the area.

cape ann museum flyer for life on the edge the ecology of crane beach special lecture in collaboration with the trustees_during dorothy arnold exhibition jan 2019

About the Cape Ann Museum Continue reading “TODAY – Reminder Cape Ann Museum Crane beach talk 3pm”

Mary Rhinelander McCarl art exhibition at Matz Gallery

Don’t miss Mary Rhinelander McCarl’s floral still lifes on display January 2019 at the Matz Gallery, Gloucester Lyceum & Sawyer Free Library.

from the printed matter:

“Mary Rhinelander McCarl- Mary, a Gloucester resident, draws her artistic inspiration from the scenery of Cape Ann. In her youth, she studied both sculpture and figure drawing with George Demetrios. She has worked under the guidance of Juni Van Dyke in the Art Room of the Rose Baker Senior Center and studied watercolors with Susie Field. At present Mary uses her training as an archivist to transcribe and edit the papers of Samuel Elwell Sawyer, Gloucester’s great philanthropist and art collector.”

Cape Ann Museum & The Trustees present “Life On the Edge: The Ecology of Crane Beach” Jeff Denoncour lecture

courtesy photo for cape ann museum_0448 © t. barrieau the trustees

photo credit: T. Barrieau/The Trustees

Courtney Richardson at the Cape Ann Museum shares information about an upcoming special event at the museum:

Lecture – Life on the Edge: The Ecology of Crane Beach, Saturday Jan. 19th, 3PM

The Cape Ann Museum, in collaboration with The Trustees, is pleased to present a lecture about the natural history and ecological significance of Crane Beach with ecologist Jeff Denoncour. This program is offered in conjunction with the special exhibition Sky/Horizon/Light: Perspectives on Crane Beach. This program is free for Museum members, Trustees members, Cape Ann residents or with Museum admission. Reservations required. For more information visit capeannmuseum.org or call 978-283-0455 x10. 

When one thinks of Crane Beach, the sea, sun, and sand might be the first things that come to mind. But how did the forces of nature create the stunning landscape? What’s special about this incredible barrier beach and marshlands it protects? How do The Trustees protect special places and care for our vulnerable coast? Join Jeff Denoncour, an ecologist with The Trustees, for a dive into the natural history and ecological significance of Crane Beach, how they protect our coastal resources, and examples of success stories resulting from their work.

Jeff Denoncour is the Eastern Region Ecologist with The Trustees where he manages and monitors ecological resources on its properties in Eastern Massachusetts. Jeff grew up on Cape Ann and has spent most of his life living along the coast. He has 11 years of experience managing rare and endangered shorebirds that nest on beaches. For the past eight years, he has been managing the Shorebird Protection Program on Crane Beach, as well as other natural resources that make the Crane Beach such a treasured place.

This program is offered in conjunction with Sky/Horizon/Light: Perspectives on Crane Beach a special exhibition of the paintings of Dorothy “Doffie” Arnold.  The works on view at the Cape Ann Museum offer an ever changing vista of Crane Beach as observed across Ipswich Bay from Arnold’s studio in Bay View (Gloucester). Painted in the 1980s, these acrylics on paper are part of larger series of works by Arnold that take as their subject the intersection of water, land and light viewed from a single vantage point over a period of years. With a low horizon line, a sky that is often turbulent and waters that range from placid to racing, the paintings reflect the strong influence of nature on the artist and her work.

A 1980 graduate of the School of the Museum of Fine Arts, Boston, Dorothy Arnold maintained studios in Cambridge and Gloucester. While much of her work is large scale, the Crane Beach paintings measure just 11×15 inches. Her work, which includes landscapes, still lives, figure studies and abstractions, was the subject of an international retrospective in 2001–2003. It was Arnold’s wish to exhibit her art locally in an effort to strengthen the community’s appreciation of the culture and traditions of the area.

cape ann museum flyer for life on the edge the ecology of crane beach special lecture in collaboration with the trustees_during dorothy arnold exhibition jan 2019

About the Cape Ann Museum Continue reading “Cape Ann Museum & The Trustees present “Life On the Edge: The Ecology of Crane Beach” Jeff Denoncour lecture”

Headlines about pilot sleeping past Australian landing prompts my son to grab Off the Mark and Far Side

News headlines about a pilot sleeping past an Australian destination*  without any disastrous outcome prompted my son to show me several cartoons by Mark Parisi and Gary Larson. (This happens with Bill Watterson’s Calvin and Hobbes as well, mostly related to his take on fine art.)

Syndicated cartoonist and author, Mark Parisi, a Gloucester native, Off the Mark published 6/23/18: “…hope it didn’t wake you up like it did to us in the cockpit.” 

 

 

We enjoy an annual holiday tradition of grabbing the latest Off the Mark calendars at the Weathervane store on Main Street.

 

*”A commercial pilot is under investigation after falling asleep in the cockpit of a freight plane and overflying his Australian island destination by 29 miles (46km), officials have said. The pilot, who has not been identified, was the only person aboard the twin-propeller Piper PA-31 Navajo Chieftain and was flying on autopilot during the early morning flight on 8 November from Devonport, Tasmania, to King Island in Bass Strait, his employer, Vortex Air, said in a statement on Tuesday.” from the Guardian

Nicole Dahlmer pre-holiday pop up

nicole dahlmer.jpg

Nicole Dahlmer, a Gloucester based photographer, announces a pre holiday pop-up:

Please join me for a pre-holiday pop-up hosted at The Dahlmer Household on Sunday, Nov 18th, 5:30-7:30pm. Guests will have a chance to stock up on my greeting cards before the holidays & before any other fall/winter events I am participating in. There will be light refreshments available. 

Nicole.jpg

Massive and beautiful Ken Gore painting repaired and returned to City Hall

Information labels were applied to City Hall walls with an epoxy that is ill advised near art. In early spring a label for this Ken Gore painting migrated to its surface and pulled away a small patch of paint.  Elizabeth Mehlin, an expert painting restorer in Ipswich, Massachusetts, repaired the accidental damage. She was able to tease out pulverized pieces of the paint stuck to remnant epoxy and match the loss so beautifully the fix is indiscernible. The painting is large and heavy. I suspect that its original custom frame was likely carved by multi media artist and Montserrat teacher, Alfred Czerepak (1928 – 1986). Gloucester’s Department of Public Works are such great stewards of the city’s art and history!

BEFORE painting surface damaged_ by epoxy from wall  label_ brought to restorer E Mehlin_©Catherine Ryan.jpg
Before repair – and remnant epoxy

DPW rescue_Mike Hale KEN GORE back to City Hall after conservato repair necessary due to ill choice for wall label_ nasty epoxy migrated to painting surface_20180907_©c ryan.jpg

Mike Hale and Bobby return KEN GORE painting to City Hall after slight repair necessary due to ill choice for wall label_ nasty epoxy migrated to painting surface_20180907_©c ryan.jpg

 

 

 

Gloucester Ma Public Works_reinstalling  restored KEN GORE painting to City Hall_Gloucester Mass_20180907_©c ryan.jpg
To the rescue as usual. Fantastic Deparment of Public Works – Mike Hale, Bobby Gross, Phil Curcuru, Mike Tarantino –  the return of the repaired Gore painting

KENNETH (KEN) GORE
(American, b.Oct 2 1911 Elvira, Illinois -1990 d. Gloucester)
Ken Gore visited Gloucester for the first time in 1948 and settled into a home and studio within a year. Eventually he purchased 186 East Main Street where he resided and maintained a studio and gallery. (Today it’s Lynzariums, aka the Plant Shack, across from Beacon Marine Basin in East Gloucester.)  Gore was a student and art professor at the  Detroit Meisinger Art School. He served as president of both Rockport and North Shore Art Associations and for the Cape Ann Festival of the Arts. He performed regularly with the Cape Ann Symphony. He taught regularly. Apparently his personality was as joyous and musical as his painting: his art students and friends considered him “one of the nicest mans they’d ever met.” I’ve heard that his plein air road trips and truck “studio” were quite a sight.  I would love to see a picture of him on location by his truck. I do love seeing Jeff Weaver and his signature truck around town.

186 East Main Gloucester Ma_ 2018 September 14_former home gallery and studio of artist Ken Gore_©Catherine Ryan (1).jpg
186 East Main Street, Gloucester, was former home, studio and gallery of artist Ken Gore

Cape Ann Festival of the Arts detail map of artists locations

Mary Rhinelander solo art show at Gallery 53 on Rocky Neck through October 14th

Mary Rhinelander’s resonant show, Collective (un) Conscious, at Gallery 53 on Rocky Neck continues through October 14, 2018. The exhibition, a power packed installation of 12 x 12 mixed media panels, is as much about visual engagement and observation for the viewer as it’s chronicling an individual, accumulated and reflective life. There are plenty of unexpected juxtapostions, dark narratives, quirk and humor. Rhinelander has a sharp eye.

 

 

Poetry in art: David West – downtown artist downtown drawings | Peter Morse North Shore photographs

A few quiet scenes before the closing reception of the beautiful and thoughtful two person exhibition featuring artists David West and Peter Morse at Jane Deering Gallery. The show closes tomorrow.

Affordable original art by local artists- West’s drawings are $200-$300; Morse’s photos $150