TODAY – Reminder Cape Ann Museum Crane beach talk 3pm

courtesy photo for cape ann museum_0448 © t. barrieau the trustees

photo credit: T. Barrieau/The Trustees

Courtney Richardson at the Cape Ann Museum shares information about an upcoming special event at the museum:

Lecture – Life on the Edge: The Ecology of Crane Beach, Saturday Jan. 19th, 3PM

The Cape Ann Museum, in collaboration with The Trustees, is pleased to present a lecture about the natural history and ecological significance of Crane Beach with ecologist Jeff Denoncour. This program is offered in conjunction with the special exhibition Sky/Horizon/Light: Perspectives on Crane Beach. This program is free for Museum members, Trustees members, Cape Ann residents or with Museum admission. Reservations required. For more information visit capeannmuseum.org or call 978-283-0455 x10. 

When one thinks of Crane Beach, the sea, sun, and sand might be the first things that come to mind. But how did the forces of nature create the stunning landscape? What’s special about this incredible barrier beach and marshlands it protects? How do The Trustees protect special places and care for our vulnerable coast? Join Jeff Denoncour, an ecologist with The Trustees, for a dive into the natural history and ecological significance of Crane Beach, how they protect our coastal resources, and examples of success stories resulting from their work.

Jeff Denoncour is the Eastern Region Ecologist with The Trustees where he manages and monitors ecological resources on its properties in Eastern Massachusetts. Jeff grew up on Cape Ann and has spent most of his life living along the coast. He has 11 years of experience managing rare and endangered shorebirds that nest on beaches. For the past eight years, he has been managing the Shorebird Protection Program on Crane Beach, as well as other natural resources that make the Crane Beach such a treasured place.

This program is offered in conjunction with Sky/Horizon/Light: Perspectives on Crane Beach a special exhibition of the paintings of Dorothy “Doffie” Arnold.  The works on view at the Cape Ann Museum offer an ever changing vista of Crane Beach as observed across Ipswich Bay from Arnold’s studio in Bay View (Gloucester). Painted in the 1980s, these acrylics on paper are part of larger series of works by Arnold that take as their subject the intersection of water, land and light viewed from a single vantage point over a period of years. With a low horizon line, a sky that is often turbulent and waters that range from placid to racing, the paintings reflect the strong influence of nature on the artist and her work.

A 1980 graduate of the School of the Museum of Fine Arts, Boston, Dorothy Arnold maintained studios in Cambridge and Gloucester. While much of her work is large scale, the Crane Beach paintings measure just 11×15 inches. Her work, which includes landscapes, still lives, figure studies and abstractions, was the subject of an international retrospective in 2001–2003. It was Arnold’s wish to exhibit her art locally in an effort to strengthen the community’s appreciation of the culture and traditions of the area.

cape ann museum flyer for life on the edge the ecology of crane beach special lecture in collaboration with the trustees_during dorothy arnold exhibition jan 2019

About the Cape Ann Museum Continue reading “TODAY – Reminder Cape Ann Museum Crane beach talk 3pm”

Public Art happiness is … Renowned Williamstown Art Conservation Center caring for historic Gloucester murals!

Thanks to Mayor Romeo-Theken, city officials & departments and staff, residents, volunteers, archives and generous grant awards & donations, — Gloucester’s extant historic mural collection has begun a new chapter and is beginning to receive most fitting care at the illustrious Williamstown Art Conservation Center!

Williamstown Art Conservation teams commence work for Gloucester MA_on its historic mural many WPA era _20180510_© Catherine Ryan.jpg
WACC conservation teams on the ground in Gloucester, MA, 2018

 

Located on the Sterling and Francine Clark Art Institute campus, The Williamstown Art Conservation Center​ (WACC) is a non-profit institution that was established as the regional conservation center for New England by the US government back in 1977.

WACC_20180620_© catherine ryan.jpg
The Williamstown Art Conservation Center is located on the campus of the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. (architect Tadao Ando)

 

The summer 2017 issue of Art Conservator, WACC’s indispensable industry magazine, ​focused on the center’s 40th anniversary milestone and Director Tom Branchick. The back page prints the 2017 Center consortium members.

 

williamstown art conservation center member consortium 2017
Gloucester Massachusetts art collection stands with important American collections and just might be the first municipality on this list!~

You can peruse the issue here or follow the link to explore a complete digitized repository of current and past issues. The WACC website URL is: www.williamstownart.org

 

Conservators at the center assessed the condition  and performed necessary triage because of the invaluable support from the city’s Community Preservation Act (CPA). CPA funding and Williamstown Art Conservation Center’s stature are inspiring endorsements for broadcasting the project and compelling additional financial support. As money is raised, every mural will have its necessary care regimen completed. Donations in support of the mural care can be sent c/o the Auditor’s Office, City of Gloucester, 9 Dale Avenue, Gloucester, MA (note mural restoration). All murals will be displayed in Gloucester as soon as their care is completed.

Sneak peek then and now:

The former Eastern Avenue School (85 Eastern Avenue) was the site for the monumental mural, Schooldays, by Frederick L. Stoddard, from 1936.  This multi-panel triptych was painted 8 feet high and nearly 60 feet long despite an array of unusual architectural challenges. My hunch for its original location on the main floor was confirmed thanks to Barbara Tarr. I’m looking for interior photos of the school that show the mural installed. Over time the school walls were resurfaced, doors blocked, and an elevator installed. Based on my expertise, I recognized that a stand alone piece was misattributed and must have been dispersed, not as bad as the scarecrow in the Wizard of Oz after the flying monkeys descend-… still it was dire and will be amazing to have it whole once again! Special thanks go to Gloucester’s Department of Public Works.

catherine ryan correct attribution and rediscovery for major and amazing frederick l stoddard gloucester ma 1936 mural © catherine ryan

 

 

 

 

Mary Rhinelander McCarl art exhibition at Matz Gallery

Don’t miss Mary Rhinelander McCarl’s floral still lifes on display January 2019 at the Matz Gallery, Gloucester Lyceum & Sawyer Free Library.

from the printed matter:

“Mary Rhinelander McCarl- Mary, a Gloucester resident, draws her artistic inspiration from the scenery of Cape Ann. In her youth, she studied both sculpture and figure drawing with George Demetrios. She has worked under the guidance of Juni Van Dyke in the Art Room of the Rose Baker Senior Center and studied watercolors with Susie Field. At present Mary uses her training as an archivist to transcribe and edit the papers of Samuel Elwell Sawyer, Gloucester’s great philanthropist and art collector.”

FREE youth and family program at Cape Ann Museum Saturday morning!

 

Once Upon a Contest Selections from Cape Ann Reads opening at Cape Ann Museum_January 5 2019 Gloucester MA (2).jpg

 

 

 

Stop by Cape Ann Museum Saturday morning January 12th from 10:00 a.m to 12:00 p.m for a fun reception!  As part of CAM Kids Second Saturday series, explore the inventive worlds of children’s books in the special exhibitions on view this winter: The Little House: Her Story and Once Upon a Contest: Selections from Cape Ann Reads! Meet some of the writers and artists featured in the exhibit, enjoy light refreshments, draw & color, explore the gallery with a “Seek & Find” and more!

 

 

 

Also look for Story Time in the Gallery each Wednesday through March!

cape ann reads-print

walking to a world of new books at cape ann museum_once upon a contest_20181222_©catherine ryan

Cape Ann Museum & The Trustees present “Life On the Edge: The Ecology of Crane Beach” Jeff Denoncour lecture

courtesy photo for cape ann museum_0448 © t. barrieau the trustees

photo credit: T. Barrieau/The Trustees

Courtney Richardson at the Cape Ann Museum shares information about an upcoming special event at the museum:

Lecture – Life on the Edge: The Ecology of Crane Beach, Saturday Jan. 19th, 3PM

The Cape Ann Museum, in collaboration with The Trustees, is pleased to present a lecture about the natural history and ecological significance of Crane Beach with ecologist Jeff Denoncour. This program is offered in conjunction with the special exhibition Sky/Horizon/Light: Perspectives on Crane Beach. This program is free for Museum members, Trustees members, Cape Ann residents or with Museum admission. Reservations required. For more information visit capeannmuseum.org or call 978-283-0455 x10. 

When one thinks of Crane Beach, the sea, sun, and sand might be the first things that come to mind. But how did the forces of nature create the stunning landscape? What’s special about this incredible barrier beach and marshlands it protects? How do The Trustees protect special places and care for our vulnerable coast? Join Jeff Denoncour, an ecologist with The Trustees, for a dive into the natural history and ecological significance of Crane Beach, how they protect our coastal resources, and examples of success stories resulting from their work.

Jeff Denoncour is the Eastern Region Ecologist with The Trustees where he manages and monitors ecological resources on its properties in Eastern Massachusetts. Jeff grew up on Cape Ann and has spent most of his life living along the coast. He has 11 years of experience managing rare and endangered shorebirds that nest on beaches. For the past eight years, he has been managing the Shorebird Protection Program on Crane Beach, as well as other natural resources that make the Crane Beach such a treasured place.

This program is offered in conjunction with Sky/Horizon/Light: Perspectives on Crane Beach a special exhibition of the paintings of Dorothy “Doffie” Arnold.  The works on view at the Cape Ann Museum offer an ever changing vista of Crane Beach as observed across Ipswich Bay from Arnold’s studio in Bay View (Gloucester). Painted in the 1980s, these acrylics on paper are part of larger series of works by Arnold that take as their subject the intersection of water, land and light viewed from a single vantage point over a period of years. With a low horizon line, a sky that is often turbulent and waters that range from placid to racing, the paintings reflect the strong influence of nature on the artist and her work.

A 1980 graduate of the School of the Museum of Fine Arts, Boston, Dorothy Arnold maintained studios in Cambridge and Gloucester. While much of her work is large scale, the Crane Beach paintings measure just 11×15 inches. Her work, which includes landscapes, still lives, figure studies and abstractions, was the subject of an international retrospective in 2001–2003. It was Arnold’s wish to exhibit her art locally in an effort to strengthen the community’s appreciation of the culture and traditions of the area.

cape ann museum flyer for life on the edge the ecology of crane beach special lecture in collaboration with the trustees_during dorothy arnold exhibition jan 2019

About the Cape Ann Museum Continue reading “Cape Ann Museum & The Trustees present “Life On the Edge: The Ecology of Crane Beach” Jeff Denoncour lecture”

Ellen F. Kenny from Mass Center for the Book, Mayor Romeo-Theken, & Justine Vitale share photos from Once Upon a Contest at Cape Ann Museum

Stop by and meet some of the participants featured in Once Upon a Contest: Selections from Cape Ann Reads at a special Cape Ann Museum CAM KIDS second Saturdays family activity on January 12, 2019, from 10AM-12PM. Later that same day, artists Mary Rhinelander and Julia Garrison are offering a printmaking linocut demo related to the Folly Cove designers and the major Virginia Lee Burton The Little House Her Story exhibition!

Thanks to the four public libraries of Cape Ann and Cape Ann Museum, Once Upon a Contest: Selections from Cape Ann Reads is a testament to the imagination and immense artistic talent of artists and authors. Below are photographs from the first reception for the exhibit at Cape Ann Museum January 5, 2019.

Courtesy photos from Ellen F. Kenny, Mass Center for the Book. Thank you for capturing the spirit of the reception at Cape Ann Museum! Mass Center for the Book Facebook [Folks featured in the big group shot from L-R: Anna Vojtech (Artist-Author), Claire Wyzenbeek (Artist-Author), Jean Woodbury (Author), Christina Ean Spangler (Artist), Maura Wadlinger (Author), Juni VanDyke (Artist), John Plunkett, Martha Geraghty ( Author), Barbara McLaughlin (Artist-Author)]

 

The Cape Ann Museum reception was beautiful. Everybody from the museum is so welcoming. The courtesy photos below document the start of the reception from Mayor Romeo Theken, Justine Vitale, and others. See Kim Smith’s photos from later in the afternoon and from another visit here! We’re so grateful to have a record of this joyous time. The show continues at Cape Ann Museum through February 24 before traveling throughout Cape Ann in 2019.

Installation view Once Upon a Contest at Cape Ann Museum December 2018.jpg

 

View and/or print out the Once upon a contest selections from cape ann reads trifold brochure. It’s paginated at 6pp but can be assembled like so:

Anita Walker, Executive Director of the Massachusetts Cultural Council, message about the superpower of art & culture

December 2018 looking ahead:

“We are on the front lines of a war on poverty. Not necessarily a shortage of material wealth, although its distribution in America is both a consequence and contributor to the current distress.

The poverty our field confronts every day is that which Robert Kennedy confronted while running for President in 1968. He contrasted the wealth represented in the nation’s gross national product with the wealth necessary to sustain a democracy and make life worth living. 

He said, “…the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country. It measures everything, in short, except that which makes life worthwhile.”

We are currently in one of the best economies in a generation, but studies show record declines in our sense of well-being. Worse yet, life expectancy in the U.S. has declined for the third straight year. Major newspapers are sounding the alarm. In the Washington Post, George Will writes that loneliness, a major public health problem, is in “epidemic proportions” and that people are unhappier, more isolated and less fulfilled. David Brooks claims, in the New York Times, the biggest factor is the crisis of connection. We are “in a straight-up social catastrophe,” he writes. 
 
For nearly the last 20 years, those of us who advocate for the arts and culture have made the economy the centerpiece of our argument. We’ve collected economic impact data, counted the jobs we create and the taxes we generate, and touted our centrality to the tourism industry. We became the poster child of the creative economy. In an environment of it’s the economy stupid, these arguments won over state legislators and delivered budget increases to state arts agencies.

Five years ago, I wrote a column for a national arts blog suggesting that it was time to dial back the economic argument, even suggesting that there is something powerful about the intrinsic value of the arts. That the transforming power of culture is the power of creative expression, human engagement, and empathy. 

This is the poverty of our time. When Kennedy spoke of joy, beauty, intelligence, integrity, wit, wisdom, courage, compassion, and devotion he spoke of the ideals that are inherent in art and culture.

The arts and culture are the antidote to what ails us as a nation. In fact, they can both prevent and cure. Studies show that creative and cultural participation enhances human health and well-being leading to: reduced social isolation; opportunities for learning; calming experiences and decreased anxiety; more optimism, hope and enjoyment; increased self-esteem and sense of identity; increased inspiration and “meaning-making;” and better communication.

I can write about the studies and outcomes, but the heart is more articulate:
“It is a remarkable experience to witness a high school student watching a young adult with down’s syndrome or cerebral palsy offer a sonnet, and think to himself, ‘I want to do that. I want to have that kind of courage, that kind of conviction.’ Or to be a man or a woman of any age and watch someone you have typecast in your heart of hearts as somehow less than, stand in the center of a crowd and speak a truth about what it is like to dream of being seen for all of what you offer and know that a wall has just fallen…and through that kind of honest performance, know that you have been changed for the better,” writes Maria Sirois about Community Access to the Arts in Great Barrington, an organization that unleashes the arts in people with disabilities.

Music can help stroke victims regain their speech. You’re never too old to sing, or dance, or paint. Victims of Alzheimer’s disease or dementia find calm and clarity through the arts. Art is a universal language that bridges race, ethnicity, and culture – in a neighborhood, or across continents. The arts help explain the complexity of physics or climate change. Science and art are close cousins, sharing the bloodlines of creativity, risk taking, and problem solving.
 
Massachusetts cultural organizations are committed to serving everybody in the Commonwealth. They joined a new program this year to offer the benefits only the arts and culture can provide to people who have fallen on hard times and are receiving assistance through the state EBT card, a card that provides help to families living near the poverty level. Our organizations agreed to offer free or greatly reduced admission prices to EBT cardholders. In our first year, we tracked 220,000 EBT admissions. 

Nearly a quarter of a million doses of arts and culture to people in need. Again, the heart is in the stories. One concertgoer, who had not been able to attend a concert in years said, “It was nice to have a slice of my old life back.” Another said “It’s hard to describe the feeling of being able to do something ‘normal’ when everything else isn’t.”

The Mass Cultural Council is not an economic development agency, but when we do arts well, tourists visit and spend money, communities become destinations and better places to live, jobs are supported and created, innovators want to live here, and build new businesses.
 
The Mass Cultural Council is not an education agency, but when children have a quality experience participating in the arts, in school, and out of school, they exercise their creative minds, learn to think critically, are better observers and team players, and get a better education.

The Mass Cultural Council is not a human service agency, but when some of our most troubled youth participate in arts programs that give them a productive outlet for their fears and anger, provide a supportive community, build self-esteem and teach skills that will last a lifetime, these young people are saved from gangs, prison, drugs, even death.

In her book “Not for Profit: Why Democracy Needs the Humanities,” philosopher Martha Nussbaum writes:

“Citizens cannot relate well to the complex world around them by factual knowledge and logic alone. The third ability of the citizen, closely related to the first two, is what we can call the narrative imagination. This means the ability to think what it might be like to be in the shoes of a person different from oneself, to be an intelligent reader of that person’s story, and to understand the emotions and wishes and desires that someone so placed might have.”

Martha Nussbaum is a close reader of Aristotle, who defined the good life as one that was authentically meaningfully rich: rich with relationships, ideas, emotion, health and vigor, recognition and contribution, passion and fulfillment, great accomplishment, and enduring achievement.

George Will writes of the crumbling of America’s social infrastructure and the need for new habits of mind and heart, new practices of neighborliness. David Brooks says, “It’s not jobs, jobs, jobs anymore. It’s relationships, relationships, relationships.” Real relationships, not virtual or transactional ones. True engagement of heart and mind.

The poverty we face is one we can defeat. Novelist Alice Walker once said, “The most common way people give up their power is by thinking they don’t have any.”
 
Story. Imagination. Empathy. This is our superpower: the power of culture.” – 
Anita Walker , Executive Director, Massachusetts Cultural Council (MCC) 

Visit the Mass Cultural Council website

Have a podcast listen – Creative Minds Out Loud:  podcast for art and Culture –  Informative and lively conversations with arts and cultural leaders. Creative Minds Out Loud is a project of the Mass Cultural Council, and is hosted by Executive Director Anita Walker. https://creativemindsoutloud.org

 

 

Don’t miss artists Mary Rhinelander and Julia Garrison give special block printing demonstration at Cape Ann Museum

rhinelander - snow day

Blockprinting Demonstration in the Gallery

Artists Mary Rhinelander and Julia Garrison demonstrate the techniques of the Folly Cove Designers

The Cape Ann Museum is pleased present a blockprinting demonstration with artists Mary Rhinelander and Julia Garrison on Saturday, January 12 from 2:00 – 4:00 p.m. These artists have long been inspired by the Folly Cove Designers. Drop by the Museum to see the Folly Cove Designers exhibition and to watch printing in action. This program is free for Museum members, Cape Ann residents or with Museum admission. For more information visit capeannmuseum.org or call 978-283-0455 x10.

Mary Rhinelander is a professional artist with an MFA in printmaking.  She has had many solo and group shows and her work is in both public and private collections. She has painted murals, designed logos and book covers, illustrated for a variety of publications, and taught students of all ages.  In 2004 she founded a fine art card business, Mermade Press. With a deep affinity for the Folly Cove Designers and Virginia Lee Burton in particular, it has been Mary’s great pleasure to bring block printing workshops into Cape Ann’s public schools with the support of CAM and the Gloucester Education Foundation. Mary will be joined by Julia Garrison, an artist with ties to Lanesville, who until recently owned and operated the Sarah Elizabeth Shop in Rockport’s Whistlestop Mall.

The Folly Cove Designers were a group of 45 designer-craftsmen who worked together between 1938 and 1969 producing carefully wrought designs cut into linoleum blocks and printed (primarily) on fabric. Their common interest was in producing solid designs and in good craftsmanship. The Folly Cove Designers was composed almost entirely of women, most being residents of Cape Ann and a majority having no artistic training prior to becoming involved in the group. They worked under the leadership of Virginia Lee Burton Demetrios, who devised a design course which she offered to her friends and neighbors in the Folly Cove neighborhood. Participants were urged by Demetrios to look to their surroundings for inspiration, to draw “what they knew” and to sketch their subjects over and over again until they made them their own. This program is offered in conjunction with the special exhibition The Little House: Her Story which takes a closer look at Virginia Lee Burton Demetrios and her award winning story, The Little House.

Mary will also be teaching a blockprinting class on Wednesdays from 10:00 a.m. to 12:15 p.m. starting on January 23.

This custom 4-week course for adults offers the opportunity to create artwork surrounded by the inspirational work of the Folly Cove Designers. Sketch, carve linoleum blocks and print an original work to take home. Materials provided. $125 CAM members/$145 nonmembers. Space is limited, registration required.

Image credit: Snow Day. Courtesy of Mary Rhinelander.

About the Cape Ann Museum

The Cape Ann Museum has been in existence since the 1870s, working to preserve and celebrate the history and culture of the area and to keep it relevant to today’s audiences. Spanning 44,000 square feet, the Museum is one of the major cultural institutions on Boston’s North Shore welcoming more than 25,000 local, national and international visitors each year to its exhibitions and programs. In addition to fine art, the Museum’s collections include decorative art, textiles, artifacts from the maritime and granite industries, two historic homes and a sculpture park in the heart of downtown Gloucester. Visit capeannmuseum.org for details.

The Museum is located at 27 Pleasant Street in Gloucester. Hours are Tuesday through Saturday from 10:00 a.m. to 5:00 p.m., and Sundays from 1:00 p.m. to 4:00 p.m. Admission is $12.00 adults, $10.00 Cape Ann residents, seniors and students. Youth (under 18) and Museum members are free. For more information please call: (978)283-0455 x10. Additional information can be found online at www.capeannmuseum.org.

mary rhinelander and julia garrison blockprinting demo at cape ann museum for virginia lee burton her story and folly cove designers exhibition jan 2019

Super fun winter vacation at Cape Ann Art Haven & Cape Ann Museum

It’s inspiring to see the creative collaborative energy among downtown Gloucester mainstays. Here’s Cape Ann Art Haven winter vacation line up with Cape Ann Museum: They often work together to present engaging camps and events. The 2018 winter vacation at Art Haven includes visits to the Virginia Lee Burton retrospective and the Cape Ann libraries’ Once Upon a Contest Selections from Cape Ann Reads travel exhibit at Cape Ann Museum. Both shows are ideal context for the camp’s theme: “Imagine and create new worlds!”

Cape Ann Art Haven Cape Ann Museum 2018

Cape Ann Residents Enjoy FREE Admission January at Cape Ann Museum and you should see the line up of special art events!

CAPE ANN MUSEUM free admission to cape ann residents in january each year_©c ryan

Upcoming shows and special events planned for January- check out the news from Cape Ann Museum. Become a member!

January is Membership Month! Cape Ann Residents Enjoy Free Admission All Month

GLOUCESTER, Mass. (December 19, 2018) – The Cape Ann Museum is pleased to announce that January is Membership Month, a time when all Cape Ann residents are invited to visit the Museum and participate in programs free of charge. The goal of membership month is to show the Cape Ann community the benefits of enjoying the Museum all year!

The Cape Ann Museum tells multiple stories, all relating to a single remarkable place and during the month of January all Cape Ann residents (Rockport, Gloucester, Manchester-by-the-Sea and Essex) are welcome to enjoy its galleries for free.  From Cape Ann’s earliest days as a fishing and shipping port to its mid-19th century role in the granite industry, to its singular charms of light and sea that have attracted countless artists from the 19th century to the present, Cape Ann boasts a rich and varied culture of nationally significant historical, industrial, and artistic achievement.  If you’ve never been to the Cape Ann Museum before, now is the time. Its collections represent the history of this remarkable place, its people, its industries and especially its art and culture—we invite you to explore!

In addition to its permanent collections, the Museum offers a rotating schedule of special exhibitions throughout the year as well as related programs and events for adults and families. This is a wonderful opportunity to visit (or revisit) the current special exhibition, The Little House: Her Story which celebrates the 75th anniversary of the publication of the Little House, written and illustrated by Virginia Lee Burton and the newly opened exhibition Once Upon a Contest: Selections from Cape Ann Reads, award-winning children’s books by local artists and writers inspired by the 2017 Cape Ann Reads original picture book competition. Also on display are the paintings of Crane Beach by Dorothy Arnold in the special exhibition Sky, Horizon, Light: Perspectives on Crane Beach.

Whether you are looking to spend a quiet day of contemplation after the busy holiday season, wishing to share a bit of your home town with guests or have lived here for years but just never visited, the Cape Ann Museum welcomes you for a visit celebrating you and this wonderful place in which you chose to live.

In addition to free admission, the Museum has lined up a full schedule of programming for visitors to enjoy:

Wednesdays from 4:00 p.m. to 4:30 p..m.
Story Time in the Gallery

Young visitors are invited to join CAM staff and special guests for story time in the gallery. Offered in conjunction with The Little House: Her Story and Once Upon a Contest: Selections from Cape Ann Reads. Free and open to the public. Museum closes at 5:00 p.m.

Saturday, January 5 at 10:30 a.m.
Winter Shorts Gallery Tours

Join CAM docents for three 20-minute themed mini tours. Topics include: artists who captured similar subjects; provocative portraits; and Virginia Lee Burton as teacher. Free for Museum Members and Cape Ann residents or with Museum admission. Reservations recommended and can be made at camuseum.eventbrite.com.

Saturday, January 5 from 3:00 – 5:00 p.m.  
Opening Reception – Once Upon a Contest: Selections from Cape Ann Reads

Join us for a celebration of the award-winning children’s book authors and illustrators inspired by the 2017 Cape Ann Reads original picture book competition. Free for Museum members and Cape Ann residents or with Museum admission.

Wednesday, January 9, 6:30 – 8:30 p.m.
Appraisal Night with Brattle Book Shop’s Ken Gloss

Join Antiques Road Show veteran Ken Gloss for a closer look at antique books and manuscripts, with special emphasis on children’s literature. Offered in conjunction with The Little House: Her Story. Free for Museum members and Cape Ann residents; $10 nonmembers/nonresidents. Reservations required and can be made at camuseum.eventbrite.com.

Thursday, January 10 at 10:30 a.m.
Young at Art: At the Beach

Toddlers and caregivers are invited to take a closer look at Sky, Horizon, Light: Perspectives on Crane Beach

Free for CAM members, Cape Ann residents or with Museum admission. Space is limited. Reservations required. For more information or to make a reservation, please call 978-238-0455 x12 or email sarahflanagan@capeannmuseum.org.

Saturday, January 12 from 10:00 – 12:00 p.m.
CAMKids Second Saturdays: Cape Ann Reads

Explore the inventive worlds of children’s book illustrators in the Cape Ann Reads exhibition then create your own storybook in the Activity Center. This program is free and open to the public. For more information or to make a reservation, please call 978-283-0455 x16 or email sarahflanagan@capeannmuseum.org.

Saturday, January 12 from 2:00 – 4:00 p.m.
Blockprinting Demonstration

Drop by to see blockprinting in action with artist Mary Rhinelander. Offered in conjunction with The Little House: Her Story. Free for Museum members and Cape Ann residents or with Museum admission.

Friday, January 18 from 10:00 a.m. – 12:00 p.m. and 2:00 – 4:00 p.m.
Surveying the Collections: Historic Quilts

On select Fridays through April, the public is invited to observe CAM curatorial staff as they survey the collection. Join us for one session or all four to gain a better understanding of the Museum’s holdings. Free for Museum members, Cape Ann residents or with Museum admission.

Saturday, January 19 at 10:30 a.m.
Winter Shorts Gallery Tours

Join CAM docents for three 20-minute themed mini tours. Topics include: practical art objects; cloud paintings; and artwork in the Captain Elias Davis House. Free for Museum Members and Cape Ann residents or with Museum admission. Reservations recommended and can be made at camuseum.eventbrite.com.

Saturday, January 19 at 3:00 p.m.
Perspectives on Crane Beach Ecology

Join Trustees’ coastal ecologist Jeff Denoncour for an overview of Crane Beach. Offered in conjunction with Sky, Horizon, Light: Perspectives on Crane Beach. Free for Museum members and Cape Ann residents; $10 nonmembers/nonresidents. Reservations required and can be made at camuseum.eventbrite.com.

Saturday, January 26 at 10:30 a.m.
Winter Shorts Gallery Tours

Join CAM docents for three 20-minute themed mini tours. Topics include: Cape Ann granite; the year 1804; and I spy. Free for CAM Members and Cape Ann residents or with Museum admission. Reservations recommended and can be made at camuseum.eventbrite.com.

Saturday, January 26 at 1:00 p.m.
Family Tour

Enjoy an animated family tour of the Museum to explore paintings, sculptures and maritime objects. Created for children ages 3 – 12 with a caregiver. This 30-minute tour ends in the Activity Center for art projects and play. Free for CAM members or with Museum admission. Reservations required. For more information or to make a reservation, please call 978-283-0455 x16 or email sarahflanagan@capeannmuseum.org. 

Saturday, January 26 at 1:00 p.m.
A Conversation with the Curators

Gallery A4 Chief Curator Michiyo Okabe and Atsuko Tanaka join CAM Curator Martha Oaks to discuss the cultural collaboration behind The Little House: Her Story. Free for Museum members and Cape Ann residents; $10 nonmembers/nonresidents. Reservations required and can be made at camuseum.eventbrite.com.

 

About the Cape Ann Museum

The Cape Ann Museum has been in existence since the 1870s, working to preserve and celebrate the history and culture of the area and to keep it relevant to today’s audiences. Spanning 44,000 square feet, the Museum is one of the major cultural institutions on Boston’s North Shore welcoming more than 25,000 local, national and international visitors each year to its exhibitions and programs. In addition to fine art, the Museum’s collections include decorative art, textiles, artifacts from the maritime and granite industries, two historic homes and a sculpture park in the heart of downtown Gloucester. Visit capeannmuseum.org for details.

The Museum is located at 27 Pleasant Street in Gloucester. Hours are Tuesday through Saturday from 10:00 a.m. to 5:00 p.m., and Sundays from 1:00 p.m. to 4:00 p.m. Admission is $12.00 adults, $10.00 Cape Ann residents, seniors and students. Youth (under 18) and Museum members are free. For more information please call: (978)283-0455 x10. Additional information can be found online at http://www.capeannmuseum.org.

 

 

Cape Ann Museum launches travel exhibit: Once Upon a Contest – Selections from Cape Ann Reads children’s picture books!

Discover a world of new, original picture books through art! Courtney Richardson shares Cape Ann Museum’s news for the Once Upon a Contest group exhibition  opening next week:

Cape Ann Museum Meredith Anderson designed header for Once Upon a Contest

Once Upon a Contest: Selections from Cape Ann Reads

A special exhibition celebrating local children’s book authors and illustrators

 GLOUCESTER, Mass. (December 14, 2018) – The Cape Ann Museum is pleased to present Once Upon a Contest: Selections from Cape Ann Reads, a ground breaking show on view until February 24, 2019, stemming from the country’s first children’s picture book contest hosted by four public libraries. The exhibition brings special attention to award-winning local artists and writers and the art of children’s picture books. There will be an opening celebration on Saturday, January 5 from 3:00 – 5:00 p.m. This program is free for Museum members, Cape Ann Residents or with Museum admission.  For more information visit capeannmuseum.org or call 978-283-0455 x10. 

Once Upon a Contest was drawn from manuscripts recognized for distinction during the Cape Ann Reads 2017 original picture book competition.  The special group show was organized and circulated by curator, Catherine Ryan, with support from the Bruce J Anderson Foundation | The Boston Fund.  Visitors will find picture books created by traditional author-illustrators (individuals who create both text and illustrations), friends and family pairings, repeat partnerships, volunteer match ups, self-taught and master artists, storytellers, published authors, and educators. 

The exhibit features work by:  Leslie Galacar, Martha Shaw Geraghty, Marion Hall, Steven Kennedy, Charles King, George King, Michael LaPenna, James McKenna, Barbara McLaughlin, Alexia Parker, Victoria Petway, Jim Plunkett, Diane Polley, Mary Rhinelander, James Seavey, Gail Seavey, Kim Smith, Christina Ean Spangler, Bonnie L. Sylvester, Juni VanDyke, Maura Wadlinger, Betty Allenbrook Wiberg, Kirsten Allenbrook Wiberg, Jean Woodbury, and Claire Wyzenbeek.

For a few, inclusion in this show will mark their debut display at a museum. The works on view range from preliminary mock ups and unfinished pages to final published illustrations for original books. They cover diverse themes and points of view and provide glimpses into stories and methodologies. The exhibition will include a reading nook for visitors of all ages.

Cape Ann Reads came about in 2015 when the four public libraries on Cape Ann –Gloucester Lyceum & Sawyer Free Public Library; Manchester by the Sea Public Library; TOHP Burnham Public Library, Essex; and Rockport Public Library– began to work together to encourage and highlight community creativity, regional collaboration, and family literacy through a focus on children’s picture books. “A passion for writing literature and the arts is one thing that ties all four communities together making Cape Ann Reads a meaningful collaboration between our four libraries and the Cape Ann Museum,” explained Cindy Grove, Director, Rockport Public Library.

During the first year of implementation, the collaborating public libraries and Cape Ann Museum offered innovative monthly programming and free picture book themed workshops for families and adults as a vehicle for family literacy, a work of art and literature, and a form of engagement and recreation. The vibrant endeavor culminated in a public art call, Cape Ann Creates for Cape Ann Reads. “What an opportunity for a talented individual or individuals to produce a lasting piece of literature with such special meaning,” exclaimed Deborah French, Director, T.O.H.P. Burnham Library, Essex.

Scores of Cape Ann creatives responded to this open call for a chance to win a first edition printing. In fact, so much interest occurred that a writer’s group led by Gloucester Writers Center was established, and volunteer artists and writers stepped up to help people without a partner. Two jury panels selected Gulliver, Honor and Medal books in the spring of 2017.

The jury panel included librarians, acclaimed children’s book author-illustrators and a rare books dealer: Carol Bender, Pat Lowery Collins, Ann Cowman, Kate Strong Stadt, Giles Laroche, Bob Ritchie, Justine Vitale, Anna Vojtech, and April Wanner. Five children served on the kids panel. A reception and book fair was held in Gloucester’s City Hall in January 2018 thanks to Mayor Sefatia Romeo-Theken. Original sculpture trophies of the bespectacled Cape Ann Reads mascot, “Gulliver”, by fine artist Jason Burroughs, were presented to the Honor and Medal book recipients. Cape Ann Reads continues to foster connections among the children’s picture book network, and generate business. Six books have been self-published, reviewed, and sold in local stores. Reflecting on this boon, Sara Collins, Director of the Manchester by the Sea Public Library said “Cape Ann Reads has been an innovative incubator for authors and illustrators, with the offspring as marvelous and varied as you can imagine in this creative community.”

“The Cape Ann Museum is pleased to launch this important Cape Ann Reads exhibition just as it was to kick off the first Cape Ann Reads program with the Eric Carle Museum back in January 2016, ” said Ronda Faloon, Director Cape Ann Museum. The Museum scheduled the exhibition to coincide with the major Virginia Lee Burton retrospective, The Little House: Her Story, and the month of January when the Museum is free to area residents. The legacy of Burton is an inspiration for many Cape Ann Reads participants.

Once Upon a Contest opens in December 2018 and continues until February 24, 2019. Following its launch at the Cape Ann Museum, the exhibition will tour the four communities of Cape Ann throughout 2019 as follows: Manchester in April, Essex in May-June, Gloucester in August-September, and Rockport in October-November.

 

 

Cape Ann Reads group exhibition.jpg

In addition to the opening reception on Saturday, January 5, 2019

The Cape Ann Museum will offer weekly story time with Museum staff and guest readers on Wednesdays at 4:00 p.m. through March 31, 2019. On Saturday, January 12 from 10:00 a.m.  – 12:00 p.m. children and their families are invited to enjoy the special exhibition and participate in hands on art making and writing activities. This program is free and open to the public.  

During February school vacation week, the Museum will host children’s book creation workshops for school age students from 1:00 p.m. – 4:00 p.m. on Tuesday, February 19 through Friday, February 22, featuring Leslie Galacar, Betty Allenbrook Wiberg, Claire Wyzenbeek, and Alexia Parker. These workshops are $15 for CAM Members or $25 nonmembers. To register contact Sarah Flanagan at 978-283-0455 x16 or email sarahflanagan@capeannmuseum.org.

 

Cape Ann Museum Once Upon a Contest montage.jpg Image credits: A Community Effort

  • The four Library Directors of Cape Ann announcing “Gulliver,” the public’s name choice for the Cape Ann Reads mascot (left to right: Deb French, TOHP Burnham; Cindy Grove, Rockport; Deborah Kelsey, Gloucester; Sara Collins, Manchester), July 2016.
  • Cape Ann Reads kids jury selection panel (left to right: Josie, Alycia, Eli, Lucas, John). Deliberations were held at Cape Ann Museum, March 2017.
  • Bonnie L. Sylvester, illustrator (left) and Jean Woodbury, author (right) of The Tree in Dock Square, the first Cape Ann Reads Medal book, June 2017.
  • Claire Wyzenbeek (author and illustrator Henrietta’s Moon Egg) at her booth for Cape Ann Reads children’s picture book reception and book fair, January 27, 2018, City Hall Gloucester MA. ©Linda Bosselman.

The lovely, clever header and flyer were designed by Meredith Anderson at Cape Museum. A printable version is available below the break – please print, post and share!

And here is a link to a printable Once Upon a Contest press release

cape ann reads-web

Continue reading “Cape Ann Museum launches travel exhibit: Once Upon a Contest – Selections from Cape Ann Reads children’s picture books!”

Jeffrey Marshall opens at Jane Deering Gallery

Jane Deering Gallery opening reception of Jeffrey Marshall | Working the Waterfront Saturday, December 15th, 4:00 — 6:30 pm @ 19 Pleasant Street, Gloucester, MA

 

from the release:

“Jeff Marshall’s studio sits above the tide on Smith Cove and overlooks a truck corral down at the Morse Sibley Wharf. It’s where fisherman hitch their workhorses for however long it takes to get the fish from out there to back here. The ancient pilings driven deep into clay centuries ago and sistered to newer stringers form a solid structure. …. Pickup trucks rest on a scrapple of broken asphalt penned-in by rusting cargo containers and dredges laced with Tansy gone to seed. … Decomposing memories of fisheries past – a Gillnet dries on a wooden spool and a stone-age winch is ready to start a new life as a mooring stone. Future fishers will shelter in the lee of their steeds to talk weather, the price of fish and about that new electric pick-up truck, they’re gonna get someday. So now comes Marshall to set himself, easel, paints and tools at the hub of this sometimes milling sometimes solitary station where fishers hitch their warhorses, cast the lines and slip to the fog. He knows the situation and the terrain down the old pier and his subjects know how to hold a pose.”- Ken Riaf 2018 from the catalogue essay of the exhibition Gone …..Fishing
“The contested landscape has been my subject for over a decade, from the post-Katrina neighborhoods of New Orleans to the coastline of Massachusetts. I look for imagery that echoes the complex social and environmental issues of specific places that I love. The subjects I choose are often overlooked, revealed as thematic possibilities only after intense visual research of a site. When I moved into my studio at Morse-Sibley Wharf in East Gloucester in 2016, I spent months drawing as a way of taking inventory of my surroundings, much of which I was lucky enough to view from my windows. This long process of drawing and painting from observation has allowed me to focus on what seems to drive the work, friendships, family, and struggles of the fishermen and lobstermen who show up to this place every day.” — Jeffrey Marshall 2018

image of artist Jeffrey Marshall working at Morse-Sibley Wharf on Monster Truck #3_Gloucester MA_ courtesy photo.jpg

About the artist

Jeffrey Marshall has a BFA from Cornell University and and MFA in painting and printmaking from Massachusetts College of Art. He is a lifelong educator, most recently an Associate Professor of Art Foundation at Mount Ida College in Newton, MA. Previously he was Associate Professor of Graphic Design at The New England Institute of Art. His teaching career started with Teach for America in New Orleans, where he taught elementary school. His drawings and paintings have been shown in many national venues, including the Cape Ann Museum, Aspen Museum of Art, The University of Rhode Island, The Boston Center for the Arts, and Endicott College among many others. His New Orleans Drawing Project, a 10-year document of the city’s post-Katrina Recovery, was featured in The New York Times, Art New England and Artscope Magazine. The artist lives/works in Gloucester MA; he maintains a studio on Morse-Sibley Wharf.

Jane Deering Gallery, 19 Pleasant Street, Gloucester, MA
info@janedeeringgallery.com
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facebook.com/JaneDeeringGallery

‘Christmas with the Bach Family’ magical Musicians of the Old Post Road with opera soloists coming to Gloucester Meetinghouse UU Church

GLOUCESTER MEETINGHOUSE FOUNDATION presents The Musicians of the Old Post Road ‘Christmas with the Bach Family’ Friday, December 14, 2018, 7:30pm Corner of Middle & Church Street, Gloucester, MA

Christmas Bach Concert Poster, GMF 12-14-18.jpg

Press release from the Gloucester Meetinghouse: Continue reading “‘Christmas with the Bach Family’ magical Musicians of the Old Post Road with opera soloists coming to Gloucester Meetinghouse UU Church”

Hundreds of riveted readers | Patricia and Donald Oresman renowned art collection selling at Doyle’s Auction 11/20/18

I’ve been an arts adviser, curator and gallerist  for more than three decades. Patricia and Donald Oresman were clients and friends– curious, erudite, generous and kind. The Doyle auction on Tuesday November 20, 2018 features 567 works from their renowned collection. Have some fun viewing – they loved to share it– here’s a link to the complete catalogue on line: https://doyle.com/sites/default/files/pdf/catalogue/2018-11-15/18OR01-catalogue_0.pdf 

Patricia and Donald Oresman sale at Doyles Tuesday November 20 2018 _
Cover art- I sold “Special Edition“, a 1936 color linocut masterwork, by Australian artist, Ethel Spowers (1890-1947) acclaimed Grosvenor School of Modern Artist 

 

photos of the Oresman collection illustrated in the Doyle auction catalogue (for Cape Ann locals- there is one work inspired by Gloucester, and some artists with connection here, e.g. Louis Lozowick, John and a Helen Farr Sloan, and a couple of works by Sally Avery, etc.)

 

Throwback photos at the Oresman library. I suppose a more accurate photo of Donald would show him sporting his favorite hat. He took it off when he met my kids 🙂 

 

First snow fell before Thanksgiving- here’s how it looked on Main Street and goodlinens studio #GloucesterMA

Main Street Gloucester, MA- First snow of the season Nov 15, 2018 

goodlinens studio useful goods and gifts for bath, kitchen and home, functional art, fine art and featured artisan panels

goodlinens studio and homegoods_20181115_©c ryan.jpg

Before Thanksgiving_First snow new lights_Main Street_ Gloucester Ma_gif_20181115_©c ryan

NEW! custom order trays– featuring local work by artists Loren Doucette and Coco Berkman– were designed by architects Ann Clark and Lena Georas and digitally printed on Baltic birch plywood, each piece of LAMOU serveware is created in Rhode Island.

 

 

Installation views of Geoffrey Bayliss Harvest series- art show opens Nov 17 Jane Deering Gallery

The Art of Geoffrey Bayliss OPENING RECEPTION SATURDAY NOVEMBER 17th FROM 1-4PM

Fun Saturday downtown- The artist’s Harvest series opens at Jane Deering Gallery at Pleasant Street and Middle Street, on the same day as CAFM’s Harvest market and the Sargent House’s 2018 Middle Street Harvest Festival.

from Jane Deering Gallery-

Jane Deering Gallery is pleased to present The Art of Geoffrey Bayliss, November 10-December 10 with an Open Reception Saturday November 17th from 1:00-4:00pm at 19 Pleasant Street, Gloucester. The artist’s latest work — two suites of unique linocut prints — will be on view in the exhibition titled Harvest.  Blue Harvest, a series of 13 prints in beautiful color, and the companion series, Red Harvest, achieve a range of complexity emblematic of the reductive technique. Accompanying the new prints is a flock of highly inventive papier-mâché birds, fresh from the studio and ready for new destinations. These delightful objects are the result of explorations in papier-mâché by Bayliss and artist/printmaker Coco Berkman with whom Bayliss continues to study. The artist has generously offered to donate his proceeds from the sale of these works-in-progress to The Open Door/Cape Ann Food Pantry.

Bayliss, a native of Gloucester, holds a BA in architecture from Columbia University. He has studied with artist Celia Eldridge, sculptor John Bozarth, printmaker Coco Berkman, and artist Charlotte Roberts.  His work is held in numerous private collections in the US.  This is the artist’s 3rd solo show with Jane Deering Gallery. The gallery will be open Saturday & Sunday 1-4pm, November 10 – December 10, and by chance or appointment at 917-902-4359, info@janedeeringgallery.com, 19 Pleasant Street, Gloucester, MA. 01930.

 

Nicole Dahlmer pre-holiday pop up

nicole dahlmer.jpg

Nicole Dahlmer, a Gloucester based photographer, announces a pre holiday pop-up:

Please join me for a pre-holiday pop-up hosted at The Dahlmer Household on Sunday, Nov 18th, 5:30-7:30pm. Guests will have a chance to stock up on my greeting cards before the holidays & before any other fall/winter events I am participating in. There will be light refreshments available. 

Nicole.jpg

Sold 91+ million! Edward Hopper crushes world auction records at Christie’s American sale

The 1929 painting, Chop Suey, by Edward Hopper, sold for $91,875,000 (including auction and buyer premiums) on November 13, 2018. It was the premiere lot at Christie’s November sale of American art, and provided quite a return for the heirs dispensing the Barney A. Ebsworth marquee collection. A native of St. Louis, Ebsworth made his fortune in the travel industry (Royal Cruise Lines). He maintained ties with museums across the country because of his stellar collection. Reportedly, Ebsworth promised to gift the painting to the Seattle Art Museum about 2007 and contradicted those statements in later years. Even if it’s spelled out directly, wills and contracts can be broken.

The hammer price for Chop Suey was 85 million net which fell squarely within its presale auction estimate range of 70 million to 100 million. The buyer is unknown. There was a bidding war, and initial rumors suggest it was acquired for a public collection.

Hopper’s prices have raced since 2000. Hopper’s former record at auction was 40.5 million- also at Christie’s– for East Wind Over Weehawken, a 1934 oil painting sold  on November 26, 2013. That sale toppled Hopper’s prior record of $26.9 million (for Hotel Window). Just ten years ago, the Cincinnati art museum purchased one of Hopper’s masterpieces, Prospect Street Gloucester, 1929, for 2 million from yet another Christie’s sale. That selection was one of the countless smart acquisitions led by a superb curator, Jane Glaubinger. Hopper’s 1934 oil painting of Sun on Prospect Street had been part of the museum’s collection as a result of the Edwin and Virginia Irwin Memorial since 1959. (At 8.4 million, Cape Ann Granite was a savvy purchase from the sales last spring.)

c EDWARD HOPPER _Chop Suey_32 x 38_ 1929 oc_Christies presale estimate 70 mil to 100 million

Edward Hopper_Sun on Prospect Street _Cincinnati Art Museum collection

Sign up for Mass Beer week, Applechusetts trail, Mass travel stats and FREE listings

News from Massachusetts Office of Travel and Tourism (MOTT) massvacation.com

Boston Globe Travel Show: January 18-20, 2019

MOTT is excited to announce plans to exhibit at the 2019 Boston Globe Travel Show, which will be held at the Seaport World Trade Center in Boston from January 18-20, 2019. We are planning to host a variety of costumed characters in our booth, so if you would like to feature your mascot, or wish to volunteer in the MOTT booth, please contact Phyllis M. Cahaly.

Congratulations Flynn Cruiseport Boston

Congratulations to the Flynn Cruiseport Boston on another record-breaking year of cruise passengers in the 2018 season. According to Tom Glynn, Massport CEO, Flynn Cruiseport Boston estimated that they welcomed 396,000 cruise passengers, 150 cruise ships and 20 different cruise lines to Boston. This translates to $485 million in economic output, $213 million to tourism-related businesses, nearly 2,000 jobs and $10 million in annual state and local tax revenues from cruise activity. Also, with the passing of the Economic Development Bill this past July, Massport will be spending $100 million in renovations for Flynn Cruiseport Boston which will include upgrades to efficiently handle 4,000+ passenger vessels.

Participate in Mass Beer Week

Calling all Massachusetts tap rooms, breweries, brew pubs, bottle shops, and restaurants. Join the Mass Brewers Guild, BeerAdvocate, Craft’d Events, Fat Basset Design, and the Mass. Brew Bros. in the celebration of Mass Beer Week taking place March 2-9, 2019. Joining is simple and only requires that you host an event focused exclusively on beer brewed in Massachusetts. Ideas for events include but are not limited to a Massachusetts tap takeover, beer/food pairing menus, specialty tastings, or panel discussion with brewers and consumers. For questions and additional details on how to get involved, contact the Mass Brewers Guild’s Executive Director Katie Stinchon.

New MOTT trail Applechusetts features Orchards, Cideries, and More- 
Leading up to the 24th annual Franklin County CiderDays festival, MOTT released Applechusetts, a guide to apple goods, experiences, and traditions across the Commonwealth. Applechusetts features pick-your-own orchards, farm stands, sweet treats, events, and cideries along with apple variety notes, recipes from local businesses, and hard cider tasting tips. An index and resources section at the back directs readers to MOTT and MDAR web pages for listings, maps, and more. Hard copies of Applechusetts were distributed at Franklin County’s CiderDays 2018, and a digital version of the guide is available on MOTT’s website at massvacation.com/apples.

Speaking of Franklin County’s CiderDays, MOTT also partnered with Yankee Magazine to distribute Yankee’s fall guide and a special food edition at the standout harvest festival. Mark your calendars: CiderDays will be celebrating its 25th anniversary in 2019. That’s 25 years of cider tastings, tours, talks, and so much more. How do you like them apples?

Applechusetts – Congratulations Russell Orchards for representing North Shore (other regional options include: Brooksby Farm, Connors, Appleton, Smolak)

 

 

Gloucester and Cape Ann were represented in two other MOTT themed guides: the Massachusetts Whale Trail and the Massachusetts Masterpiece Trail

Notable Media Coverage of Massachusetts (other than sports)
Check out award-winning UK Journalist Mike MacEachern’s story on Springfield and the Dr. Seuss Museum, published on BBC Travel in October. With BBC Travel’s reach of over 78 million people, this is another great result of Mr. MacEachern’s media visit to Massachusetts this past summer. Ireland’s TV3’s The Elaine Show in Ireland recently featured a Halloween special on Salem. Fast forward to 29:30 in this clip, to follow presenter Sarah Cleary’s journey to Boston and Salem. The Elaine Show’s 1 million viewers in Ireland will be getting a taste of Halloween in the Bay State.

Check out – North Shore in the news – BBC featured Kim Smith, Gloucester, Cape Ann and New England 

New International Flight
Delta will launch new nonstop daily service from Edinburgh, Scotland to Boston on May 23, 2019. Here’s the press release.

MA Sports Marketing Office Upcoming Sporting Events
International Volleyball Hall of Fame Enshrinement Ceremony, Springfield, Nov 10
135th “The Game:” Yale vs Harvard, Boston November 17
For a full schedule of major sporting events across Massachusetts, visit MAsportsoffice.com.

MA Film Office Film Festivals
Boston Jewish Film Festival – November 7 – 19
Northampton Film Festival – November 15 – 18
Boston International Kids Film Festival – November 16 – 18
For a full schedule of film festivals in Massachusetts, visit mafilm.org.

North Shore offerings: Cape Ann Cinema offers several festivals annually

BULLETIN BOARD – FREE means FREE!
With so many amazing free things to do in Massachusetts, we created a FREE category listing in our online calendar of events at massvacation.com. Now, you can feel free to add your organization’s cost-free events to MOTT’s year-round calendars. Just visit massvacation.com and click on ‘submit your listing’ on the bottom of the homepage. With questions, please reach out to John Alzapiedi.

By the Numbers MA Lodging Industry Performance
September, 2018 vs. September, 2017

Continue reading “Sign up for Mass Beer week, Applechusetts trail, Mass travel stats and FREE listings”

The Art of Geoffrey Bayliss opens at Jane Deering Gallery

from Jane Deering Gallery-

GBayliss . Blue Harvest VE1 2017 . Reductive linoleum print . Plate 18x24 inches . Paper 22x30 inches.jpg

Jane Deering Gallery is pleased to present The Art of Geoffrey Bayliss, November 10-December 10 with an Open Reception Saturday November 17th from 1:00-4:00pm at 19 Pleasant Street, Gloucester. The artist’s latest work — two suites of unique linocut prints — will be on view in the exhibition titled Harvest.  Blue Harvest, a series of 13 prints in beautiful color, and the companion series, Red Harvest, achieve a range of complexity emblematic of the reductive technique. Accompanying the new prints is a flock of highly inventive papier-mâché birds, fresh from the studio and ready for new destinations. These delightful objects are the result of explorations in papier-mâché by Bayliss and artist/printmaker Coco Berkman with whom Bayliss continues to study. The artist has generously offered to donate his proceeds from the sale of these works-in-progress to The Open Door/Cape Ann Food Pantry.

Bayliss, a native of Gloucester, holds a BA in architecture from Columbia University. He has studied with artist Celia Eldridge, sculptor John Bozarth, printmaker Coco Berkman, and artist Charlotte Roberts.  His work is held in numerous private collections in the US.  This is the artist’s 3rd solo show with Jane Deering Gallery. The gallery will be open Saturday & Sunday 1-4pm, November 10 – December 10, and by chance or appointment at 917-902-4359, info@janedeeringgallery.com, 19 Pleasant Street, Gloucester, MA. 01930.

portrait of artist GEOFFREY BAYLISS  ©Celia Eldridge_courtesy photo shared from Jane Deering Gallery_ Gloucester Ma.png
portrait of the artist Geoffrey Bayliss (photo credit: Celia Eldridge)