Tag Archives: Art

Gloucester HarborWalk Summer Cinema welcomes three more sponsors- 2 days till The Greatest Showman

Five free movie nights begin Wednesday July 11th, 2018- The Summer of Song!

City of Gloucester and Rob Newton, Cape Ann Cinema and Stage, announce the 2018 Gloucester HarborWalk Summer Cinema free outdoor movies line up:

July 11 ::: The Greatest Showman
July 18 ::: Coco
July 25 ::: The Wizard of Oz
August 1 ::: The Beatles Yellow Submarine
August 8 ::: Footloose
July 11, 18, 25 and August 1 and 8. Rain dates  August 15 & 22

HarborWalk Summer Cinema Sponsors and Presenters include:

Gloucester Lyceum & Sawyer Free Public Library, Sudbay Automotive, and 1623 Studios (Cape Ann TV) join North Shore 104.9, the Building Center; ToodeLoos! ; Doyon’s Appliance ; and Cape Ann Savings Bank  as HarborWalk Summer Cinema important sponsors. 

 

The Summer 2018 movie nights are presented by: Woodman’s of Essex;  DIVA; Cape Ann Lanes, The Cave Gloucester Mass: Cheese, Wine & Chocolate Shop, and Gloucester Auto Body.

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Cape Ann Museum special exhibition of works by artist and illustrator Harrison Cady opens Saturday July 7

WELCOMING HARRISON CADY TO CAPE ANN MUSEUM _20180702_©c ryan

 

From the museum’s press release:

Cape Ann Museum’s special exhibition of works by artist and illustrator Harrison Cady (1877–1970)

Affectionately known to many as the bug painter, Harrison Cady (1877–1970) was a much loved member of Cape Ann’s summer art colony throughout the 20th century. A prolific illustrator, a printmaker and a painter, Cady was one of the last links to our nation’s Golden Age of Illustration, a distinction he earned through his long collaboration with writer Thornton Burgess. View from the Headlands, a special exhibition of works by artist and illustrator Harrison Cady (1877-1970) will open at the Cape Ann Museum on July 7, 2018, and remain on display through October 28, 2018.

Cady began his 70-year career as an illustrator with the Brooklyn Eagle and later worked for numerous popular American publications, including Life magazine, Ladies’ Home Journal, the Saturday Evening Post, and Good Housekeeping. His syndicated comic strip “Peter Rabbit” ran in the New York Herald Tribune for 28 years.

A frequent visitor to Rockport, Massachusetts, Cady made it his permanent summer home in 1920, purchasing a seafront property known as “The Headlands.” With his studio “the Silo” located nearby, Cady shifted his focus to painting landscapes and harbor scenes. Cady was an early member of the Rockport Art Association, founded in 1921.

View from the Headlands draws on public and private collections throughout the region with examples of Cady’s early magazine illustrations, his work with writer Thornton W. Burgess, and his later landscape paintings. The exhibition reflects the Cape Ann Museum’s commitment to preserving and presenting work that celebrates the area’s culture and history.

Harrison Cady (1877–1970). Lane’s Cove, c.1930s. Oil on board. The James Collection, promised gift to the Cape Ann Museum.Cady_Harrison_©CAPE ANN MUSEUM.jpg

Walter Harrison Cady was born and raised in Gardner, Massachusetts, and headed to New York City at eighteen. The successful artist eventually had an eight room studio in the Sixty Seventh Studios building at 27 West 67, NYC. The Cadys purchased a summer house and studio on Atlantic Avenue in Rockport (see photos above). In addition to this exciting and rare chance to see original work by Cady at Cape Ann Museum, there is a new book celebrating Cady’s art currently in production: Madness in Crowds: The Teeming Mind of Harrison Cady. Cady had long ties with the Rockport Art Association and local artists. Cady’s work is in the collection of the Library of Congress, Metropolitan Museum of Art, and various private collections and institutions. The Archives of American Art has a gifted collection of Harrison Cady (sketchbooks, correspondence, estate papers digitized. How fantastic that work will be acquired by the Cape Ann Museum.

photos below: Harrison Cady sketchbook, ca. 1943. Harrison Cady papers, 1902-2002. Archives of American Art, Smithsonian Institution.

Library of Congress

 

 

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Life Magazine, Volume 62, number 1616, page 658 (1913-10-16) Savannah College of Art and Design

 

 

Gloucester HarborWalk Summer Cinema 2018: the dates and titles for the free outdoor movies are…

City of Gloucester and Rob Newton, Cape Ann Cinema and Stage, announce the 2018 Gloucester HarborWalk Summer Cinema free outdoor movies line up:

Fifth annual year- Save the dates! Five free movie nights begin Wednesday July 11th, 2018- The Summer of Song!

July 11 ::: The Greatest Showman
July 18 ::: Coco
July 25 ::: The Wizard of Oz
August 1 ::: The Beatles Yellow Submarine
August 8 ::: Footloose
July 11, 18, 25 and August 1 and 8. Rain dates  August 15 & 22

The 2018 series poster and movie flyers were designed by Ariana Puopolo for Jill Cahill, Community Development Director, and based on original designs by Chris Muskopf and C7A.

2018 poster by Ariana Puopolo with City of Gloucester MA community development and based on Chris Muskopf C7A original design.jpg

First up

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THANKS

Over 5000 Cape Ann residents attended Gloucester’s HarborWalk Summer Cinema series in 2017. Awesome North Shore 104.9 amps the pre-show festivities! The HarborWalk Summer Cinema series is presented by the City and Cape Ann Cinema & Stage with the support of  local businesses:

North Shore 104.9

The Building Center

ToodeLoos! (has participated every year!)

Doyon’s Appliance

and Cape Ann Savings Bank.

The Summer 2018 movie nights are presented by

Woodman’s of Essex;  DIVA; Cape Ann Lanes, The Cave Gloucester Mass: Cheese, Wine & Chocolate Shop, and Gloucester Auto Body.

Contact Rob at Cape Ann Cinema & Stage for partnership options

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Searching for Artist! Byron Brooks? Part 2

Searching for artist! Byron Brooks? query from Kate Foley posted November 2016 on Good Morning Gloucester generated comments about the artist and his work. I was inspired to piece together some of my primary research and the comments into an informal online catalogue. It’s very much a loose work in progress! Hope it helps people searching for information about the artist, and compels collectors to share additional images of his art.  Just this week (6/27/18) another GMG reader commented that they acquired a Brooks painting in Tucson, AZ.

Byron Brooks online catalogue

Byron Brooks - Good Morning Gloucester requests for information©c ryan

Byron Brooks_ WWII veteran, Coast Guard_ Artist_Gloucester resident_ born in Manchester_grave Pleasant Grove Cemetery Manchester MA_20180628_072316 ©C Ryan (3)

Byron Brooks gravesite, Pleasant Grove Cemetery, Manchester, Mass.

Byron Brooks is not listed in any artist biographical compilations. The index card sketch below mimics the format as IF he were listed in Who Was Who in American Art:

BROOKS, Byron [Painter] b. 1906, Manchester, Mass | d. 1978, Gloucester, MA.
Addresses: 12 Stage Fort Park Avenue and 2 Davis St in Gloucester, MA (Willet Street during the war)

Studied: not known

Member:
Manchester Art Association

Exhibited: 1961, Tenth Annual Cape Ann Festival of the Arts, Visual Arts Exhibition, Section VIII, Balcony Show. Painting, “Rock Clipper Ship”. Emily Anderson chairman (curator) 1957, Sixth Annual Cape Ann Festival of the Arts, “Cottage by the Sea”, Group SP (Sunday Painters section), curated by Emily Anderson
*Brooks ran a gallery from his home

Work: collection of Addison Gilbert Hospital
Employment: Driver-Delivery; employed by City of Gloucester Highway Dept

Veteran:  WWII veteran, served in the Coast Guard

Sound Harbor presents: FREE weekly Tuesday Jams facilitated by Joe Cardoza

Middle through High School students are invited to attend  FREE weekly Tuesday jams at Sound Harbor facilitated by Joe Cardoza. The series is made possible with support of the Massaschusetts Cultural Council. Sound Harbor is located at 11 Pleasant Street, Gloucester Ma (within Brown’s Mall). 6-8PM

Sound Harbor

Sun Kissed Harbor

The best light for photographing sunsets is always after a heavy quick moving thunder storm this image I took last year.. image size is 9×20 I will only be printing 10 images at this size please feel free to contact me at (978) 559-1944 or email at marlexop@yahoo.com

Coastal beauty: Gloucester Lyceum & Sawyer Free Public Library

Gloucester’s enchanting open spaces  – Sawyer Free library’s John and Dorothy Rando Memorial Garden at the front and side entrances

Sawyer Free_beautiful massachusetts public library _Gloucester MA_open space natural garden and ampitheater _20180530_105058.jpg

 

 

looking to City Hall from Sawyer Free _May flowers spring 2018_©c ryan

Fitz Henry Lane and other art removed from the library building (January 2018):

https://goodmorninggloucester.wordpress.com/2018/01/03/down-the-lane-fitz-henry-lane-art-shuffled-from-gloucester-sawyer-free-library-to-cape-ann-museum/

Proposed building plans 2017 includes 1972 quest for what became lovely Monnell building:

https://goodmorninggloucester.wordpress.com/2017/01/03/no-finer-place-for-sure-downtown-proposed-building-plans-sawyer-free-library-city-hall-whoa-in-the-news-plus-the-1973-appeal-led-by-joseph-garland-universal-access-and-archives/

 

New exhibition about the cottages of Long Beach opens this Saturday

House 36 Long Beach

This is one of the paintings in Erin Luman’s upcoming show. It’s called “Thirty Six.”

The Jane Deering Gallery will host a month-long exhibition of the work of Gloucester artist Erin Luman, whose new paintings focus on the cottages of Long Beach in Gloucester. Luman’s previous work explored the power lines, buildings and rooftops of downtown Gloucester (You prolly read about that one on Good Morning Gloucester here), and now she’s turned her view toward the beach to make sure the cottages that have served as the backdrop of generations of family vacations are remembered. The opening reception will be held this Saturday June 2, from 4 to 6 p.m. The Jane Deering Gallery is at 19 Pleasant Street in Gloucester.

Boston Commons public art: Robert Gould Shaw – Mass. 54th Regiment by Saint-Gaudens | POW MIA Freedom Tree | Boston Massacre by Robert Kraus

Three memorial monuments along a small corner of the Boston Commons by the State House  remind us of those who gave their lives for freedom.

modest Freedom Tree POW-MIA tribute

 

“The Freedom Tree: With the vision of universal freedom for mankind this tree is dedicated to Joseph Dunn and all  prisoners of war and missing in action. 1976.”

Read more about Maureen Dunn’s advocacy on behalf of her husband, Lt. Joseph Dunn, Vietnam War. Find the book, The Search for Canasta.

Boston Massacre Crispus Attucks patriots memorial by sculptor Robert Kraus

“In the Granary Burial Ground, in Boston, rest the remains of Crispus Attucks, Samuel  Gray, Jonas Caldwell, and Samuel Maverick, who, together with Patrick Carr, led by Crispus Attucks, were the first Martyrs in the cause of Amerian Liberty, having been shot by the British soldiers on the night of the fifth of March, AD 1770, known as the Boston Massacre.” 

Crispus Attucks was a longshoreman and whaler regarded as the first casualty in the Boston Massacre (‘the first to defy, the first to die’). In 1888, the state appropriated $10,000 for the commission. Robert Kraus was the sculptor and he worked with the foundry, Henry Bonnard Company of New York. The base and obelisk are Concord granite.

“The monument is of Concord granite, twenty five feet six inches high, and measures ten feet six inches at the base. The pedestal, which is round, except where a rectangular projection is made tosupport the statue and receive the relief is eight feet two inches high. The bas-releif on the face of the pedestal represents the Boston Massacre in King street. In the foreground lies Crispus Attucks, the first victim of British bullets; the centre of the scene is the old State House, behind which may be seen the steeple of the old brick or First church, which stood on Cornhill, now Washington Street. In the Upper left-hand corner is the following inscription: “From the moment we may date the Severance of the British Empire. Daniel Webster;” and in the upper right hand corner, “On that Night the Foundation of American Independenc was laid. John Adams.” Under the relief on the base appears the date “March 5, 1770.” Above the bas releif stands “Free America.” With her left hand she clasps a flag about to be unfurled, while she holds aloft in her ‘right hand the broken chain of oppression, which, twisted and torn, is falling off the plinth. At her left side, clinging to the edge of the plinth, is an eagle. Its wings are raised, its beak is open, and it has apparently just lit. Its pose is in unison with the fiery spirit of its mistrees, shown in the serious, determined, and heroic gaze of her upturned face.”

( And crushing the crown under her ‘Spirit of America’ foot.)

Read the archived 1889 dedication program which includes a letter from Frederick Douglass 

Robert Gould Shaw Massachusetts 54th Regiment memorial

Robert Gould Shaw Massachusetts 54th Regiment memorial Boston Commons by Augustus Saint Gaudens_dedicated 1889 ©c ryan 2018 March 1_ (3)

Robert Gould Shaw – Massachusetts 54th Regiment memorial, by Augustus Saint-Gaudens, dedicated 1897, Boston Commons. (photo shows one of the eagles– and in the background  quite nearby you can find the POW MIA Freedom Tree and the resited Boston Massacre memorial.)

Joshua Benton Smith pushed for a memorial beginning in 1865.  It took another 20 years for a sculptor to be commissioned. A dedicated committee selected sculptor, Augustus Saint-Gaudens. The tribute was unveiled and dedicated on Memorial Day May 31, 1897 (called Decoration Day at the time). Frederick Douglass was in attendance; two of his sons were in the 54th regiment. The memorial was cast by the Gorham Company foundry in Providence, R. I., at a cost of $7,000. The Gorham Company was contracted for Gloucester’s Fisherman at the Wheel memorial by Leonard Craske, and the Joan of Arc WW1 memorial by Anna Hyatt Huntington.

from the National Parks:

“Saint-Gaudens always strove for perfection regarding realism. In this relief he wanted to show a range in facial features and age, as found among the men of the regiment. This was the first time a monument depicted blacks realistically, and not as stereotypes. He hired African American men to pose, and modeled about 40 different heads to use as studies. His concern for accuracy also extended to the clothing and accoutrements.

“Saint-Gaudens, however, worked slowly. A committee member complained in 1894, “. . . that bronze is wanted pretty damned quick! People are grumbling for it, the city howling for it, and most of the committee have become toothless waiting for it!” It would still be three more years until the unveiling. In answer to criticism, Saint-Gaudens wrote:

“My own delay I excuse on the ground that a sculptor’s work endures for so long that it is next to a crime for him to neglect to do everything that lies in his power to execute a result that will not be a disgrace. There is something extraordinarily irritating, when it is not ludicrous, in a bad statue. It is plastered up before the world to stick and stick for centuries, while man and nations pass away. A poor picture goes into the garret, books are forgotten, but the bronze remains to accuse or shame the populace and perpetuate one of our various idiocies.”– Augustus Saint-Gaudens

“Many of them were bent and crippled, many with white heads, some with bouquets… The impression of those old soldiers, passing the very spot where they left for the war so many years before, thrills me even as I write these words. They faced and saluted the relief, with the music playing ‘John Brown’s Body’…. They seemed as if returning from the war, the troops of bronze marching in the opposite direction, the direction in which they had left for the front, and the young men there represented now showing these veterans the vigor and hope of youth. It was a consecration.” – Augustus Saint Gaudens

 

Cape Ann Reads 2018 inaugural celebration of children’s picture books by local artists and writers

The Cape Ann Reads inaugural reception celebrating original children’s picture books by local artists and writers was held at City Hall in Gloucester, Massachusetts, January 27, 2018. Linda Bosselman of Sawyer Free Library was the official photographer for the packed event and she captured all its positive energy and people. An upcoming group exhibition featuring these participants will travel to the four Cape Ann communities. As you can see from the celebration pictures, the touring exhibition and its related receptions and readings will be worth a visit! Cape Ann Reads is an initiative by the four public libraries of Cape Ann.

packed event Cape Ann Reads childrens picture book reception Jan 27 2018 City Hall Gloucester MA.jpg

The Cape Ann Reads reception and awards ceremony opened  in style – thanks to the red-ribbon cutting courtesy of the Cape Ann Chamber of Commerce and Ken Riehl.

Cape Ann Reads childrens picture book reception-local authors & artists Jan 27 2018 City Hall Gloucester MA ©Linda Bosselman (33)

Cape Ann Reads 2018 ribbon cutting courtesy CAPE ANN CHAMBER 20180127_133442-ANIMATION

Portraits of the artists and writers

City Hall is a gorgeous venue for an art fair. Linda photographed all the local artists and writers at their individual picture book display booths. Effort was high. Kind friends manned booths for participants who were unable to attend: Ashley was there for Steven Kennedy and Victoria Petway, and Sinikka Nogelo represented Gail and James Seavey.

Cape Ann Reads childrens picture book reception-local authors & artists Jan 27 2018 City Hall Gloucester MA ©Linda Bosselman (20)

Cape Ann Reads Medal Book- The Tree in Dock Square, written by Jean Woodbury (L) illustrations by Bonnie Sylvester (R)

Welcome

Awards ceremony program began with a warm welcome of support for the arts from Mayor Romeo Theken and opening remarks by the Library Directors and special dignitaries

Jurors

Deliberations were held at Cape Ann Museum and Beauport Hotel.

Cape Ann Reads convened a nine member selection panel that included representatives from each of the public libraries: Justine Vitale Gloucester Lyceum & Sawyer Free Public Library; Carol Bender, former Children’s and Teen Librarian,  Rockport Public Library (now at Manchester); Kate Strong Stadt, former Head of Youth Services, Manchester-By-The-Sea Public Library; Ann Cowman, Young Adult Librarian, Manchester-By-The-Sea Public Library; and April Wanner, Assistant Librarian at the TOHP Burnham Library, Essex.  Joining these talented library staff members were three artists and award winning children’s book author-illustrators: Pat Lowery Collins; Giles Laroche; and Anna Vojtech. Bob Ritchie proprietor of Dogtown Book Shop provided another crucial area of book world expertise. Cape Ann Reads is grateful for their time and considerable talents to help the participants and the process.

Each library and the Cape Ann Museum designated one child representative for the second jury — a thoughtful panel of children: Eli Porter, Alycia Hogan Lopez, John Recroft, Lucas Rodi, and Josie West. They put in tremendous effort to read every entry, prepare notes, and come together for discussion. They were tasked with close reading and instructions to let us know any books that were favorites or that they wanted to compliment. Several came to assist the event as junior staff.

 

Awards presentation – Cape Ann Reads Gulliver, Honor and Medal books

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Closely Related

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CLOSELYRELATED group show curated by Juni VanDyke for Flatrocks Gallery opens May 25, 2018. The opening Reception is Saturday May 26. Participating artists: Kathleen Gerdon ARcher, Shelly Champion, Loren Doucette, Paige Farrell, Jay McLachlan, Barbara Moody, Hans Pundt, Lynne Sausele, Patti Sullivan, Juni VanDyke

from the press release:  CLOSELY RELATED…an exhibit that attempts to identify and examine artistic elements that appear congruently in works by artists related by friendship or marriage, or by filial kinship, or by the duality of artist and place or…other.  (many possibilities)

Is our art influenced by our environment; our politics; the company we keep, and/or by our generic connections?  And is what we create truly unique? Or was Picasso right when he said: “Every painting already has a mother and a father.”?

Motif Monday- how about monumental murals at O’Maley by art school grads that were former alumni

The O’Maley Innovation Middle School campus setting is rather bucolic. There’s a line of apple trees that still bear fruit and suggest the original farm, playing fields are stepped down surrounded by marsh and pond, Dogtown stretches along one edge, and Pole Hill rises up across the way. Community volunteers and students have created lovely decorative gardens. Yes, the track needs work and the playing field could be upgraded to turf like Gloucester High School’s New Balance-Newell Stadium. But it’s a beautiful spot to walk or catch a game. Ed Tedesco designed O’Maley in 1971. Although I believe the architect was quite sensitive to the setting, I understand how people criticize the exterior as harsh, or worse. “It feels like a prison!” exclaim some (and others joke. It is a middle school afterall.) You know what I see on the exterior when I come to O’Maley? Beautiful walls. Interesting shapes. Expansive public space ready for art and ideas.

O’Maley walls, photos from 2015

ideal canvas for murals by former alums now emerging artists art school grads - O'Maley Innovation Middle School Gloucester Mass- Feb 3 2016 ©c ryan_100917 (13)

You can’t judge a book by its cover. OR can you? O’Maley has the potential for its shell to match the creative arts and legacy at its core. There are stunning historic murals from the 1930s and 40s in the Commons. The arts curriculum is valued and celebrated. The arts teachers are amazing. If there is any school in Massachusetts that sings out arts and legacy, let it be here. Monumental public art and street art abound in Gloucester.

Parsons Street before, after, and after

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public art in Gloucester, MA and context collages

 

Py$eMoNeY117- skribbleFish- 21st century -orphans-Gloucester-Massachusetts- ©c ryan_20170107_114218.jpg

Py$eMoNeY117 21st Century Orphans, Gloucester, MA, Skribble Fish – graffiti art – not street art

And not just for flat surfaces. Artists have suggested creative responses to Americord’s striated surface like a piano keys mural along the wall (a motif you may have seen elsewhere); others proposed a changing light installation when the cultural district designation was underway. 

Stephanie Benenson’s temporary installation Harbor Voices at City Hall

Stephanie Benenson Gloucester MA Harbor Voices temporary public art light social sculpture immersive at City Hall.gif

Street art has become big business. Cities and towns around the world vie for renowned muralists in a competitive commercialized market with varying degrees of success.

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I vote Former Alumni

O’Maley Innovation Middle School has the perfect walls for showcasing creative voices of former alumni who are art school grads (or currently enrolled)– professionally trained and inspired to leave a mark. Ever since the dynamite 18UP and Under 30 exhibition, supporters hoped to catalyze possibilities for these emerging artists. Murals taken to this scale warrant investments of $15,000 per artist per wall.

SONY DSC

Jason Burroughs https://www.jasonburroughsgallery.com/

just a few of the grads…Chris Budrow | Kate BresnahanJason Burroughs | Lexi Chipperini |Jon Cooney | Jeff Cluett | James Curcuru | Nicole Dahlmer | Leon Doucette | Alessia LoGrasso | Avery McNiff | Micah O’Conner| Mary Sullivan

Before I saw walls of possibility. I still see that, but now I imagine specific artists and I hope you do, too. There are plenty of walls to go around at O’Maley.

 

 

a few more international street art mural examples

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Gloucester in the news: Leon Doucette wins global art contest

Leon Doucette’s work was recognized in the American Portrait Society‘s 20th annual International Portrait Competition. A group show for the finalists was held  April 2018.

Beautiful news! Gloucester Daily Times, May 4, 2018 “Local Artist Wins Global Contest: Portrait of Girlfriend Takes Drawing Category”

Leon Doucette Gloucester Daily Times May 4 2018 (2)

20th anniversary International Portrait Competition
2018 Finalists The Art of the Portrait Conference
April 19-22, 2018 – Washington, DC area
It has been a record setting year for the Portrait Society of America. February 1st marked the beginning of our 20th year sharing a passion for the portrait, as of today we have almost 1,000 people registered for the annual conference, and at midnight on February 22, we surpassed our previous number of entries by over 400 – with 2,733 entries submitted to the International Portrait Competition.  Portraiture is alive and well! Thank you to all the artists that submitted work and were part of such a historic time in our organization. Congratulations to the 24 selected finalists

photos (click to enlarge): (1)2016 private commission stemming from 18 Up and Under 30 exhibition at the Hive (2)Nov 2015 portrait of Leon (3) 2015 artist page

Gloucester Public School 10th Anniversary ARTS festival

Beautiful colorful banners on Dale Avenue announce GPS 10th anniversary annual ARTS festival, Saturday May 12th 11-4pm, at City Hall, Cape Ann Museum, and Sawyer Free Library! Sponsored by Gloucester Education Foundation; what a milestone!

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Good Harbor Rainbow

Sunday’s weather was all over the place rain then sun, awesome clouds and light for photography . Then as I approached the footbridge I saw a rainbow just barley forming, snapped a quick photo before it disappeared,, that’s why I always have my camera on me.

Dogtown Days 2018 research updates and special events! Cape Ann Museum May 5 & ribbon cutting May 6

Dogtown Days 2018

Dogtown Days 2018

 

CAPE ANN MUSEUM PROGRAM, SATURDAY, MAY 5, 2:00 p.m. – 4:00 p.m

“This program, presented by the Friends of Dogtown, offers an opportunity to remember the past and imagine the future of Dogtown. Free and open to the public.

Starting off with a presentation by local artists recalling Thoreau’s 1858 visit to Dogtown, Dogtown Days will present a collection of newly discovered historical photographs of the early 20th century landscape and will debut new poetry inspired by the “ghosts” of the old settlement. Members of the Gloucester Historical Commission will review the history of archaeological investigations, including the recent survey of Dogtown, and will explain the process and implications of its inclusion in the National Register of Historical Places. The City of Gloucester’s Dogtown Advisory Committee and privately-supported Cape Ann Trail Stewards will describe ongoing projects including site cleanup, trail maintenance, and the construction of a new footbridge at the site of Gloucester’s first mill. The program will conclude with a presentation by members of the Friends of Dogtown on a new project that is underway to restore key historical, ecological, and art landscapes in Dogtown.”

ENTRANCE TO DOGTOWN –RIBBON CUTTING – SUNDAY MAY 6th 10am-noon

“celebrating the new footbridge constructed by Gloucester High School students followed by tours of the art, ecological and historical landscapes described on Saturday.”

2016 PDF vision for dogtown (maybe visitor center)

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